#he struggles with his relationship to The Cause and Work
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osarina · 2 days ago
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ᡣ𐭩 WE WERE BORN SICK
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FEATURING: dazai osamu
SUMMARY: that sinking feeling that's been looming over you both has finally come to fruition. truths are revealed, questions are answered, but one big one remains: is love enough for you and dazai's relationship to survive this?
AUTHOR'S NOTES: happy fridayyyyy, i can't believe we only have one chapter left of civzai, it's actually makin me emotional </3 this chapter was quite a doozy to write, and i hope it's equally a doozy to read HAHAH no no jkjk , i hope you enjoy. also do u guys want to add an arcane au to the dazaiverse .. ive been thinking heavily about it. comments & reblogs appreciated
GENERAL WARNINGS: fem!reader, port mafia executive!reader, civilian!dazai, dazai's struggles w suicide & sh, reader partakes in mafia business, dazai isn't dazai without a bit of obsessiveness and possessiveness (the possessiveness doesn't come til later but the obsessiveness starts from day 0).
CHAPTER SPECIFIC WARNINGS: hardly edited. angsty chapter. explicit depiction of suicide (past recollection of dazai), implications of past self-harm (dazai), very toxic thought processes at certain parts (dazai), past (and a bit of current) suicide ideation (dazai), manic behavior (reader).
SEE: WASTELAND, BABY! SERIES MASTERLIST
“I’ve been eager to meet you for quite a while. In all of the years I’ve known her, my little hime has never let something as trivial as a boy come between her and our work… I knew you must be special, but I never could’ve imagined just how special. I’m so pleasantly surprised.”
Dazai’s head throbs as he comes to his surroundings. He’s laying in an uncomfortable bed—a hospital bed, he thinks, he can smell the unfortunately familiar scent of antiseptic, but the walls aren’t the typical white he’s used to. He winces as he sits up, unable to recall where he is or what happened to him. Everything is too fuzzy, he remembers being with Fitzgerald, the car ride to the tea house, and-
And he remembers you. 
He remembers you.
He lets out a shaky breath as he recalls the way you’d pulled him into your arms, cradling him close as soon as you got him back from Fitzgerald. God, he only got to be with you for what felt like a second. It wasn’t enough time. It wasn’t nearly enough time. You sent him off, he remembers—you sent him with two of your subordinates, the weretiger and that freaky little girl, and then… 
“Shhh… Don’t speak. I want to get this done and over with.”
The gun to his back, Atsushi and Kyouka’s cries of shock, the baton to his head.
“No can do, weretiger. On orders from the boss.”
His mind tracks back to the words that had been spoken as he was teetering on the edge of consciousness, mouth going dry and eyes widening as he becomes acutely aware of the other person in the room with him. His gaze flicks up to where a vaguely familiar man sits at a desk watching him—straight chin-length black hair, inquisitive purple eyes, a long black coat, Dazai isn’t sure where he recalls this man from but he knows that they’ve met before. 
“Who…” Dazai asks, voice wavering as pain shoots through his head with every little movement. “Who are you? Have we… met before?”
His wrist hurts. His mother’s nails dig into his skin so deep that it draws blood, and he doesn’t know what’s going on. He’d just been sleeping—is he still sleeping? He isn’t sure. He’s stumbling over his own feet trying to keep up with her, he keeps asking her what’s going on but she doesn’t answer him. 
They turn a hall and his mother stops so suddenly that he slams right into her, nearly tripping over onto the ground. He doesn’t even regain his footing before his mother is pulling him back the way he came, he looks over his shoulder trying to figure out what caused his mother to panic so badly and he looks at—a man? 
Who is that? 
Why is he coming from grandfather’s room?
Is that-
Blood?
“Shuji! Shuji, don’t look back! Keep moving!”
Shuji? Who’s Shu-
“I think you know the answer to that already.” Dazai is startled out of the memory—was that a memory?—by the man’s voice. He sounds amused, and from the way that his eyes are glittering, Dazai can tell he’s finding great entertainment out of this situation. It pisses Dazai off. “Don’t you?”
“Tane-chan, you know you won’t be able to hide him forever. You’re just making this harder on yourself.”
Dazai’s breath catches. He shifts backward on the bed to press his back against the wall. Everything is wrong—the air is too cold, his bandages are itching, his head hurts, and he doesn’t know what’s going on. Who is Shuji? Why is he thinking of his mother after all of these years? And what… what was he remembering? 
Memories of his youth have always been sparse and fleeting—he can vaguely recall the faces of his siblings, the anxiety he felt around his grandfather, the loneliness—but something like this… The panic on his mothers face, the pain in his wrist, the way she was dragging him around, the fear in her voice when she screamed at Dazai—was he Shuji? But then why—to not look back, to keep moving. He would remember something like that. That would be… crazy to forget, right?
What is going on?
“You’re Mori,” Dazai breathes out, clearing his throat. He hopes he doesn’t look as disconcerted as he feels, but he thinks he must. “You’re…”
The leader of the Port Mafia. 
The closest thing you have to a father.
So, how does Dazai remember him from years ago? It doesn’t make sense. He couldn’t have been older than thirteen, maybe fourteen in that memory. What did he forget? When did he meet him? What’s going on? Dazai wants to scream, his mind is still slow from just waking up—he doesn’t even know how long he was unconscious, it couldn’t have been that long.
Mori’s smile widens as if Dazai just walked right into whatever trap that had been laid out for him, violet eyes flashing with a type of cruel amusement that makes Dazai sick to his stomach. Dazai has to circle back to remember what he just said, he needs to snap out of the daze he’s in. He needs to think. He made a mistake—Dazai made a mistake. He shouldn’t have admitted that he knew Mori. That was a mistake.
How does he fix it? 
Can he fix it?
“You do know,” Mori says, like he didn’t actually expect Dazai to admit that he knew him. Like he’s pleasantly surprised. Again. Like Dazai just made things much easier for him. Shit. “Interesting.”
He’s going to use it against Dazai. Dazai knows it. He’s going to use it against him to hurt you. He remembers everything he’s learned about your relationship with Mori—how he pit you against that other girl, Yosano, to get results from you. And he already said it. He already said that Dazai is getting between you and your work, he’ll do the same thing here. He’ll pit you against him.
He’s going to tell you that Dazai knew who Mori was, and that Dazai is someone that he’s not—who is Shuji? Why doesn’t he remember his own name? Is that really his name? How does Mori know all of this? Who is Dazai?—and Dazai needs to be able to say something. He needs to be able to explain. How does he explain this when he doesn’t even know what’s going on? Dazai needs to remember; he needs to remember now, he needed to remember yesterday, because if he’s not the one to tell you this… If he can’t explain this…
This cannot be happening—it can’t. Right when he thought everything would be okay, when he would be with you. His throat starts to clog as anxiety clouds his head and weighs on his chest, a panic attack that he can’t afford right now. He needs to think, he needs to figure out what’s going on—Mori knows something about Dazai that he doesn’t know himself, and he’s going to use it against him to drive a wedge between the two of you. He’s going to tell you, and-
Dazai’s world feels woozy. Why can’t he remember? How does he know Mori? What was happening that night with his mother? He needs to snap out of this, needs to think, but he can’t even breathe. Fear—the mind killer.
“I don’t know what’s going on,” Dazai rasps, his voice is hoarse, and he feels sick, and he hates admitting that he doesn’t know what’s happening, but he needs Mori to believe it so that he doesn’t tell you something that’s not true. “I don’t know how I know you. I don’t-”
“You might believe that,” Mori says amused, “but will she?”
Dazai stares at Mori, his stomach churns violently and his vision swims as the answer becomes abundantly clear to him.
He doesn’t know. 
———
The gun in your hand weighs heavily.
You hid it in the inside of your blazer to get up to the conference room. No weapons are allowed up past the thirty-fifth floor unless you’re one of the Boss’s hand-picked personal guards—even executives are forced to disarm themselves before going up, but security is much more lax for the upper echelon. Because you’re you—the hime, second-in-command, the Boss’s daughter—the guards outside of the elevator that goes directly to the top floor wave you past the metal detectors to go on up.
A mistake.
(Who is Tsushima Shuji? It can’t be Dazai. You know Dazai. Mori must be wrong.)
The smile on your face is bland and doesn’t meet your eyes as you walk down the hall to the conference room attached to Mori’s office. You greet the guards, and they don’t notice how off your demeanor is, too starstruck over the fact that they’re being acknowledged for once. They also don’t notice the way your hand is curled around the grip of your gun in your blazer.
A mistake. 
(Mori is never wrong. Do you really know Dazai?)
When you reach the end of the hallway, you toss them one last brilliant smile. This one is a bit more genuine because you’ve realized that you’ve gotten through the top notch security of the upper levels of the Port Mafia headquarters without a hitch. That you’re one step closer to finishing this. They’re so blinded by the beauty of your smile that they don’t realize your teeth have sharpened into knives and the floral perfume you wear masks a putrid bloodlust. 
A mistake. 
(It’s always been odd, hasn’t it? The way he approached you. The way he was so insistent on pushing himself into your life. You always questioned it. There was a sinking feeling that something wasn’t as it seemed. Why didn’t you question it more?)
You keep your back turned as you slip into the room. You can feel four presences behind you—Kouyou, Piano Man, Chuuya, Ace. No Mori. No Dazai. That’s fine—you have something to take care of before they show up anyway. The conference room is soundproof; Mori designed it that way because he didn’t want the guards outside to overhear any discussion of sensitive topics. Even if he handpicked them for their loyalty, he understands that money can make the most devout man’s faith waver. Still, it’s not them rushing in that you’re worried about—it’s the people in the room with you rushing out, so you very carefully twist the nub of the lock and then reach up to fix the deadbolt. It won’t stop them, but it will slow them. You can feel their eyes on you as you make sure the door is locked, but none of them call you out for it or try to stop you.
A mistake. 
(Mori always told you that the Tsushimas were like cockroaches. If they all weren’t killed, one would eventually return to reclaim their grandfather’s empire. There’d be a power struggle between the factions loyal to the new regime and the ones that still hid in the shadows believing that the Tsushima blood belonged at the head of the organization. Everything the two of you had built would crumble to ashes.)
You turn to make your way over to the conference table where the four of them are sitting. You haven’t decided how you want to go about this yet. You don’t know who all was aware of what Mori did, and because of that, you don’t know who needs to die. Treachery has always faced a death penalty—you don’t care if Mori ordered it, you don’t care that the Boss’s word is absolute, you have bled and breathed for the Port Mafia. You’ve sacrificed everything you’ve ever owned and wanted for the Port Mafia. You have made the Port Mafia into what it is today with your efforts abroad and at home—foreign governments, foreign criminal organizations, the Japanese government and other domestic mafias, all of them are just puppets that you pull the strings of to ensure the Port Mafia stays on top. Treachery against you will face the same penalty one would receive if they betrayed the Port Mafia, because you are the Port Mafia—Mori has made sure of that. 
Chuuya and Piano Man share a look with one another as you approach the table. Neither of them say anything—is it confusion? Is it guilt? Did they know? Were you the only one unaware of the schemes going on around you? Were you the only one loyal? The only one you could trust?
Did they know?
Did they know?
(No one could ever love you without your ability at work influencing them. You’ve known that since the very beginning, but you were so quick to forget that when you discovered Dazai’s ability. You should have had more questions, you should have been more suspicious. Mori had been right from the very beginning. You were emotionally compromised. You were weak.)
Ace opens his mouth to speak.
A mistake. 
“It was nice meeting your-”
Ace’s head hits the conference table with a hard thunk, his eyes wide and glassy, his mouth open around the words you didn’t let him finish speaking. Blood seeps from the bullet hole in his temple and pools around his head and the ground beneath his chair, staining the glass table and the white floors. 
Instead of lowering your arm, you shift it so that the gun is pressed against Piano Man’s temple next. Chuuya says your name—it’s awful, something caught between a gasp of shock and confusion, he’s never said your name like that before. Like he doesn’t know what you’re doing. Like he doesn’t understand you. Like you’re something unfamiliar. Unrecognizable. You ignore him anyway, and the pangs that come along with it, and instead, you keep your gaze trained on Piano Man’s face.
He’s not as panicked as Chuuya, but you can tell that he’s just as caught off guard from the way his lips are twisted. He watches you carefully, waiting for you to say whatever you’re going to say—if you were going to pull the trigger, you would’ve done so immediately, he knows that. He’s always been good at reading you, better than even Chuuya sometimes.
“Did you know?”
Your voice is steadier than you expect it to be. Cold almost. Distant. You don’t recognize it yourself, you suppose it’s no wonder that Chuuya’s staring at you with such a foreign expression. You watch him just as carefully as he does you. He has a tell when he lies: he squints. Not an obvious squint, just the barest hint of his eyes squeezing shut like he’s calculating exactly what he wants to say, in what tone and with what fluctuation he wants to say it.
A subtle tell, but a tell nonetheless. 
“No.”
He stares at you steadily as he says it. There’s no squint—he’s telling the truth. You don’t let out a breath of relief, but you certainly feel the weight off of your shoulders. You lower the gun, satisfied with his response, and then you walk over to where Chuuya is sitting.
You don’t raise the gun to his temple immediately. He looks up at you, you look down at him, a whole conversation is had in the silence between you, and eventually he lowers his lashes in resignation, telling you to do what needs to be done for you to feel more at ease.
He’s always put others before himself. 
You lift the gun at the same time he lifts his gaze to meet yours. He could activate the Tainted Sorrow and end this before it starts, but he doesn’t—you know in your gut that if you pulled the trigger right now, he would accept the fate you delivered. Probably would take it as a better one than he deserved—it being at your hands rather than Arahabaki. 
“Did you know?” you ask. The words taste bitter, rancid—they don’t belong there, Chuuya would never betray you, but you had to hear it from him. 
Chuuya doesn’t have many tells when he lies—he’s a good actor, much better than people give him credit for. If he wanted to lie to you, he might be able to get away with it. But he won’t lie to you, not when he’s looking you in the eye. 
“No,” he says, voice soft and raspy like he can’t believe he has to say it.
You let the gun drop to your side. It weighs heavier now—heavier than it did in the elevator, heavier than it did in the hallway leading to the room, heavier than it did when it was pressed against Piano Man’s head. You can hardly bear to keep holding it, but you’re not done yet.
Slowly, your gaze turns to Kouyou. Her expression is cold and unreadable, gaze pinned on you in the same way a lion stalks its prey through the tall grass… No, that’s not right. She stares at you with the same look in her eyes that a snake does when it’s curled in a corner, rattle shaking and hissing to try to scare off the predator that has it trapped.
“You knew,” you breathe out softly in disbelief. Your voice hardens and tightens as you repeat, “You knew!”
Before you can raise your gun—before you can pull the trigger four, five, six times, before you can riddle her body with holes because how dare she know, how dare she know and not tell you after what the previous boss did to her—the door that separates the conference room from Mori’s office opens, and your attention is drawn to the one person who caused all of this.
“Oh my,” Mori says airly, looking between you, Ace’s body, and Kouyou with an expression that is frustratingly amused. “I see you’ve been busy.”
You don’t even know what to say to that. You almost want to laugh. You think you do laugh, actually—someone does, and you think it’s you, because you feel yourself walking away, you lift your hands to your head to tug at your ears in frustration. Your vision is blurry—are you crying?
“You betrayed me,” you finally say, voice quieter than you intend, so you raise it as you repeat yourself. “You betrayed me. You. Of all people I never thought you would be the one to-”
You can’t even finish the sentence, your voice cracks over the words. It makes you feel sick, it makes you angry, it makes you want to crawl out of your skin, because how could he? To you? You don’t know why you’re so angry, why you’re so betrayed. Mori has always made it clear that his priority is the Port Mafia, but still, to do this to you. To do this to his-
To his what?
You’re not his daughter. You hate when people imply that you are, you hate being called hime, you hate being called ‘Miss Mori’, you hate when people give you respect because of your perceived relationship to him. 
He’s the only father you’ve ever known. Almost every decision you’ve made has been with the motive of making him proud of you. When he seeks out your opinion specifically during meetings, your chest becomes warm with pride.
You don’t love him. How could you? Look at what you’ve become because of him. 
Then why do you feel so betrayed? Why did you think he would be the last person to do something like this to you when you know the type of person he is? Why does your chest feel like it’s caving in? Like your heart’s been ripped right out of it? Why does this hurt as much—why does this hurt more than Dazai’s potential betrayal?
And he certainly doesn’t love you. He never would have done this if he did. 
He’s killed people for disrespecting you—he hardly ever gets his own hands dirty, but he does when it’s you and your dignity on the line. He spends hours meticulously picking out birthday presents that he knows you’ll like. He gets sad when he invites you for lunch and you don’t join him, reminiscing about the days where you clung to the back of his coat.
He touches your shoulder, and your finger twitches on the trigger of the gun. You want to lift it, press it to his temple and pull the trigger just like you did to Ace, but you can’t. Your arm feels like lead, and when his hand slides down to your bicep to force you to turn around and face him so that your back is to the rest of the executives, you dutifully follow along.
His expression is unreadable as he looks down at you, violet eyes swimming with an emotion you’ve never seen in them before. He lifts his hand to wipe away one of the tears that had spilled over your cheeks with his knuckle, and then taps your cheek twice, chiding you silently. 
Do not cry here, little hime. Not here.
“You have always been so dramatic,” Mori hums just loud enough for you to hear, but the words are fond, and the corners of his lip curl up as he looks down at you. “I would not betray you. Not ever, dear.” 
You look at Ace pointedly in response and then back to Mori, the man sighs dramatically and gives you a disappointed look. The nerve, you think bitterly, narrowing your eyes on him as you wait for his explanation.
“I told you,” Mori says. “I did this to protect you. I wanted to get ahold of the boy-”
“Because you have some mistaken belief that he’s a Tsushima,” you interrupt coolly. “How did you even manage to come up with that ridiculous theory?”
Mori’s eyes flicker with something akin to interest, but shifts quickly into pity—you can’t tell if it’s genuine or mocking, and you don’t know which would be worse. He must be mistaken, he has to be. You don’t think you can handle the implications of if he isn’t, of what it might mean for you. For Dazai. Your whole relationship with him. How much was manufactured for him to get information about the Port Mafia? So he could get a foothold in the organization? Get in contact with the remaining loyalists to his family?
“Sit,” he tells you, guiding you over to the seat at the right of the head of the table. “I’ll explain everything, but first… Shuji-kun, why don’t you come out and join us?” 
Your breath catches at Mori’s words, gaze twisting to the side over to the door that he’d come out of. You watch as the door creaks open, and the achingly familiar sight of his face finally comes into view. You’ve missed him—you’ve missed him, and you hate this. You should be back at your apartment with him, you should have him curled up in your arms, you should be listening to him complain about how long he was stuck with the Guild. 
This shouldn’t be happening. You shouldn’t be sitting at the executive roundtable with Ace’s dead body a few feet away, and Dazai entering the room, questions of his identity, of whether or not he’s been using you for information and opportunity to take back his grandfather’s legacy. 
You hoped that Dazai would enter the room angry, irritated by the kidnapping and the accusations, but you don’t think you’ve ever seen Dazai look like this before. He looks a mess, fidgeting, brown hair matted to his forehead, dark eyes wide and swirling with emotion. When he seeks you out, they’re pleading, imploring, like he already knows that whatever is about to be said is going to be bad for him. 
He looks… frazzled. Nervous. Confused. 
He looks guilty, and you know that Mori is telling the truth. 
How much of this was a lie? All of it?
Your throat feels uncomfortably tight, gaze sliding from Dazai back to Mori.
“Tell me.”
Who are you, Dazai Osamu?
———
Despite his body being wracked with a strange sense of guilt, Dazai pushes open the door to enter the room where he assumes you’ll be waiting. You’re not the only one there sitting at the table—there’s five… no, four others—but Dazai can’t help the way he immediately seeks you out. He recognizes his mistake instantly. That highly unwelcome, and highly misplaced, guilt amplifies the moment his gaze meets yours and he sees how crushed you are by all of this. His face twists into something that he knows condemns himself more. and from the way you instantly look away from him, directing your full attention to Mori, he knows he has. 
Now, you won’t meet his eyes at all.
Dazai sits stiffly across from you to the left of Mori. Nakahara Chuuya is on his opposite side, glaring holes into the side of Dazai’s head, but he can’t drag his gaze from you. He’s never seen you like this before—even back at the beach house when you’d been so close to breaking down under the weight of everything on your shoulders, you’d held yourself together as best you could. 
You’re unraveling now; he can tell you’re still trying to hold yourself together, but it’s as good as trying to pick up water with your fists, your emotions spill out through the cracks carved into the walls you used to hide yourself behind. Mori hasn’t even begun talking, yet your breath is unsteady and your eyes are swimming with emotion; your fingers are still wrapped tight around the grip of your gun, and Dazai is very acutely aware of Ace’s dead body slouched over the table not even a few feet away. 
And you won’t even meet his eyes.
Maybe it’s a good thing, he realizes, because Dazai isn’t sure what you might see if you do. You clearly didn’t like what you saw the first time. He just feels so guilty, and he doesn’t even know why he feels guilty because he’s not-he didn’t do any of what Mori implied. He didn’t use you, he didn’t know who you were before meeting you, it wasn’t all some scheme to try to take over the mafia. That’s ludicrous—he’s a literature student at YNU, not some gang lord. He just-
He loved you. Loves you. No ulterior motives. No strings attached. 
“I said tell me,” you snap when Mori doesn’t immediately begin talking. “You love talking, so why are you holding back now? Tell me, or I’m leaving.”
Dazai feels a bit sick to his stomach when you say ‘I’ with no implication of taking him with you. He tries to get you to look at him again, silently pleading with you to just spare one glance in his direction, but you’re irritated now. He can see it in the way your fingers flex around the gun, knuckles whitening and finger twitching on the trigger—it’s pointed at the woman sitting next to you, who is very acutely aware of the fact from how stiff she is. 
“Do you remember the night we took over the Port Mafia, dear?” Mori asks her, voice a low hum. 
“What kind of question is that?” you answer tightly. Your lip curls up in irritation, Dazai can see you become more and more antsy and angry—he’s never seen you so out of control before. “Of course, I do.” 
“And you, Shuji-kun?” Mori turns his attention to Dazai and he wants to spit in his face—his name is Dazai—but his voice fails him when he sees the way your face twists at the sound of the unfamiliar name. He stares at Mori instead, hating how amused the man becomes at his silence. “I’ll take that as a no, allow me to refresh you.”
“Eight years ago, a coup was staged against your grandfather’s regime,” Mori says, and Dazai feels like he’s being studied under a microscope. All eyes are on him now—even yours, but now, he can’t bring himself to look at you. He doesn’t know what he’ll find, and he’s scared it’s going to be something he doesn’t like. “Your grandfather was mad, killing civilians and mafiosos indiscriminately, something had to be done, and nobody was willing to do it, so we did.”
“We had to wipe out the whole family, and any loyalists. I was fourteen when I killed someone for the first time. She was a girl my age—the previous boss’s grandaughter…”
Dazai’s gaze drags over to you. You’re staring ahead now, gaze listless and expression eerily blank like you’re slowly starting to realize what this means. Dazai hasn’t come to terms with it yet, because if even a little of what Mori is saying is true then…
“We wiped out the whole bloodline and as many loyalists as we could,” Mori continues, “or we thought we did, at least. My dear hime was who I sent to kill the heirs, I trusted in her to make it quick and painless. We didn’t realize one of the grandchildren were missing until it was too late—he wasn’t in his bedroom, apparently liked to wander around at night because he couldn’t sleep. His mother was able to swoop in and get him out of the estate before our men took over the building… Tsushima Shuji, the youngest of the previous boss’s grandsons. Does this sound familiar yet, Shuji-kun?”
He has the best view of the night sky from an alcove on the fourth floor of the estate—his grandfather’s floor. It’s where he likes to go when he can’t sleep at night, and ever since his cousins and siblings started fighting over their grandfather’s legacy, that’s been just about every night: half because of fear now that things have started escalating to violence, half because he’s not even sure why he’s still here.
His knees are tucked tight to his chest, arms wrapped around them and head resting against the cool glass as he looks up at the stars. He hears a commotion happening somewhere downstairs, but there’s always a commotion happening at the estate, so he thinks nothing of it. He submerges himself in the darkness instead, letting his mind float away as he stares up at the sky—it’s the only time he’s able to relax, escape from the shadows of his own mind.
He’s not sure how long he sits there admiring the night, time passes immeasurably when he’s lost in the stars—he’s only snapped out of it when he hears feet slamming against the ground in his direction. He stiffens, eyes wide, wondering if another one of his cousins has finally turned to bloodshed as the way to inherit their grandfather’s legacy, but instead his mother turns the corner, her smooth face contorted in a type of panic he’s never seen on her before.
“Mothe…” he starts to say, confused, but he doesn’t even get a chance to finish the word, gasping as his mother grabs his wrist and yanks him off the cushioned seat in the alcove.
“Shuji, we have to go,” she gasps, “we need to get out of here. It’s not safe.”
He stumbles after his mother, struggling to keep up with her quick pace and longer legs. Her grip was painful, nails digging into the bandages around his wrists, right into the fresh wounds they covered. He grimaces in pain, breathing heavy as he follows his mother down the hall, assumingly toward the steps near his grandfather’s room. 
“What’s going on?” he asks. “What about Bunji? Akane? T-”
His mother chokes over what sounds like a sob and his eyes widen—he’s never heard his mother cry before. 
“There’s no time,” she chokes out, “we have to leave without them. We-”
They turn a hall, she skids to a stop and-
“It seems that it does… Allow me to continue then,” Mori hums, drawing Dazai out of the memory. He sounds unbearably amused, and Dazai would be angry if he wasn’t so shaken. He pulls his hands off of the table to rest them in his lap to hide the way his fingers are trembling. “Your mother was able to hide you from us for half a year, I warned her that she wouldn’t be able to for long and since she didn’t share your grandfather’s blood, promised to spare her life if she gave you up to us, but she refused. She tried to take you out of the Kanagawa Prefecture, but our men were catching up to her, and she took… drastic measures to ensure we couldn’t track you down. That I’m sure you remember.”
“Mother,” he whispered, staring up at the rope, her limp body, gaze trailing down to the kicked over chair. “Mother, I don’t… why did you…”
He takes a step closer. A step back. Another step closer. He reaches out, fingers brushing the white nightgown she’d worn the night before while getting him settled in bed, but he snatches them back instantly like he’d been burned, clutching his hand to his chest.
He’s not breathing, he realizes when his lungs start to burn. His eyes sting painfully, unable to draw his eyes away—unable to even blink—is it a nightmare? Is he hallucinating? She sways—sways like when she used to distract him when he was settling into a depressive episode by putting on music and forcing him to spin with her in the kitchen, sways like the wind chimes she keeps outside because the house doesn’t feel homely enough without him, sways-
“Shuji! Shuji, get away from there!” The voice that calls to him is familiar��Aunt Kiye? Why is she here? “God, I tried to get here earlier. Nee-san, forgive me.”
Aunt Kiye grabs his wrist, yanking him away from his mother, dragging him out of her bedroom and down the hall. His voice is hoarse as he screams, he doesn’t know what he’s screaming, if he’s even screaming anything intelligible. He doesn’t stop until he’s out of the house and she’s kneeling in front of him, shaking him out of his panic.
“Enough, Shuji! We have to go, we can’t stay here, they’ll be here soon,” Aunt Kiye shouts at him, expression twisted and eyes pooling with tears that she doesn’t let spill over. “We need to go, and we-we need to change your name, change everything. I promised I would hide you, I-”
“We can’t leave her there,” he argues, voice shrill. “I don’t understand, why did she do that? What did I do? It was my fault, It was my fault, wasn’t it? It-”
Aunt Kiye doesn’t answer his question. She looks bitter, angry, hateful. “We have no time. We have to leave,” she whispers, dragging him to the car despite his protests. She continues talking, more to herself than to him, but the words make his chest cave in. “I told her not to get involved with that family. Their blood is black, cursed. Everyone knows nothing good comes from associating with those people.”
His fault, he realizes, breath becoming thin and shallow. It’s his fault, his blood, his fault that his mother-
“Yes, quite the unfortunate scene we walked into,” Mori says dismissively. “She was smart for it though, she never would’ve survived a night with our sweet hime interrogating her. You should see what she did to that despicable journalist. Of course, she wasn’t as fine-tuned with her ability back then, but that would’ve been at your mother’s expense—her first few attempts at conditioning were quite… unfortunate for her test sub-”
“Enough,” you spit out, interrupting him. Dazai wants to believe that it’s because you can see how uncomfortable he’s getting, but he’s not even sure that you care. He’s not even sure you remember he’s in the room. “Get to the point. You think he’s the Tsushima kid we missed—that doesn’t prove shit. It doesn’t mean-”
You don’t finish what you’re going to say, but you do look at him, and Dazai’s breath catches when his gaze finally meets yours again. He can’t tell what you’re thinking—the expression on your face is entirely indecipherable, something caught between being accusatory and guilty. Dazai doesn’t know if he’s going to make it out of this room alive. Even if by some miracle, you decide to believe him, there’s a good chance that Mori will order his death anyway, and he’s not sure if you’ll pick him over the Port Mafia. 
That being said, Dazai doesn’t even know if he wants to make it out of here alive. His brain is fogged with memories that he locked so deep within him that they never should’ve resurfaced—every time Mori speaks, Dazai’s recalling something new, something awful, something that proves that he’s every bit the freak people have always claimed him to be. Every bit as bad. Every bit as wrong. Not like other people. A monster whose mother killed herself because of him, a monster who's been cursed since the day he was born. 
“... blood is black, cursed… nothing good comes from associating with those people.”
More than that, he doesn’t see how the two of you are going to be able to come back from this, and that scares him more than anything. You’re the only good thing left in his life, and he doesn’t think he’ll make it without you, but he doesn’t think that after all of this things are just going to work out. You killed his siblings. His cousins. And yeah, Dazai was never close to them—they thought he was too quiet, too strange, all of the things that the other students at school whispered, his family was the first to—but… they were still his family, and if Dazai had been in his room that night, he would’ve been just as dead at your hands as the rest of them.
You killed his family. You would have killed him. The Port Mafia is the reason his mother killed herself, the reason why he walked into her bedroom and saw her hanging from a fan. The Port Mafia is the reason his aunt hated him so much that she couldn’t even bear looking at him, the reason why he was left to die in Suribachi City. 
Would you ever be able to get over the guilt of that? Would Dazai be able to accept it? You had a heavy hand in ruining his life, is it enough that you saved him years later? He doesn’t know, he’s hardly even processed it, he just knows that he has to cling to what little he has left, dig his nails in and not let go even if it makes you choke on guilt, even if it makes him sick with shame. He won’t let go. 
“So impatient,” Mori sighs. “Your aunt hid you for almost another half a year, but she wasn’t able to move out of the Yokohama area. She did well though, I’ll give her that. We had our best trying to find you, but she was very careful. It was partially our own fault that we didn’t get our hands on you back then—some loyalists to your grandfather snuck under our radar, told her when we were closing in on the two of you. She got rid of you before we got to her… but we did get to her. Kouyou-kun was the one who handled her, if I recall it got quite… messy. I can’t imagine how it must feel knowing that your mother and aunt sacrificed themselves to protect you only for you to throw it all away in an arrogant attempt to reclaim your grandfather’s legacy.”
Dazai doesn’t even zero in on the last bit of what Mori says because he’s too busy trying to wrap his head around the rest of it. Aunt Kiye didn’t… die for him. Aunt Kiye hated him. He remembers that clear enough—he remembers how she could hardly stand to look at him, he remembers the way she was always so cold and rough with him, he remembers-
“You have to go, Osamu.” Aunt Kiye is shouting at him, and he’s sitting in the passenger seat of her car. He doesn’t move, he thinks maybe if he sits still enough, she won’t see him there and won’t make him leave. “Osamu, get out of the car and go, we don’t have time! They’ve found us.”
The name is still unfamiliar—he’s not used to it, and he doesn’t know if he likes it, but Aunt Kiye insists that Tsushima Shuji is dead and that name can never be uttered again. She gets mad when he doesn’t immediately answer to it, tells him not to let his mother’s death be in vain, and that’s usually enough to get him to stop being stubborn over it.
“Osamu, go!” She grabs his bicep hard to try to get his attention, but he flinches and squirms out of her grip, still not responding to her. He can’t remember the last time he’s spoken—he thinks maybe since they left the cabin that morning. “You-”
Aunt Kiye sounds angry now, but he can’t bring himself to look at her. It’s only when he hears her unbuckle and feels her start reaching over him that he starts to panic. He reaches up to grab her bicep, trying to stop her from grabbing the handle of the door to open it, but she’s stronger than him. He’s hardly been eating lately, and he’s never been particularly strong—he was always the smallest among his siblings. 
It takes no effort for her to bat his hands away, pushing open the door and unbuckling his seatbelt. He struggles against her as she tries to push him out of the car, and she’s still speaking—shouting at him, begging him, he thinks she might be crying too, but he can’t even tell. His mind is fogged with panic and fear—he doesn’t want to be alone in Suribachi City, he doesn’t want to be alone at all. He wants to stay with Aunt Kiye even if she hates him because he doesn’t want to be alone. 
Eventually, Aunt Kiye wins the fight—even with him fighting tooth and nail, she manages to push him out of the car. He hits the ground hard, gasping when he lands poorly on his elbow. He’s stunned for a moment by the shock and pain, and Aunt Kiye takes the chance to toss out a backpack from the back seat and close the door behind him, locking it quickly. 
“No!” His voice is raspy from lack of use over the past few months. He scrambles to his feet and tries to pry the door open but can’t. Aunt Kiye won’t even look at him, she stares ahead as she switches the car into gear and he slams his hands against the window. “Aunt Kiye! Aunt Kiye, don’t leave me here! Don’t leave me here, please, I’ll be better, I’ll do better, just don’t-”
He stumbles back as she pulls the car away, falling when he trips over the backpack onto the asphalt, scraping up his hands and forearms. He’s not sure how long he sits there staring after where the car disappeared waiting for her to come back for him.
She doesn’t.
She didn’t die for him, Dazai thinks again, nails digging crescents into his palm. She didn’t die for him, she couldn’t have. Dazai won’t believe it. Aunt Kiye hated him, she abandoned him in Suribachi—none of this can be true. It can’t. His mother killed herself to be free of him, not to protect him; and Aunt Kiye abandoned him because she hated him, not to save him.
That’s the truth. It has to be. They couldn’t have died for him—for him. It doesn’t make any sense. He doesn’t want to remember all of this—he was better off thinking that they hated him, that they wanted to be free of him.
He can feel you looking at him now, but Dazai is back to being unable to look at you. He’s staring down at the glass table looking at his reflection, his eyes are wide and dark and far too black—he looks warped, inhuman almost. His expression is blank, none of the turmoil within him is reflected on it, and he doesn’t even understand why. He thinks it’s probably just making him seem more guilty.
“We figured she left you somewhere in Suribachi City, but we weren’t able to track you down,” Mori says flippantly. Dazai wants him to stop talking, but he has a sick feeling things are only going to get worse from here. “Not until you ended up with Oda Sakunosuke, at least, we…”
Dazai’s ears ring at his old friend’s name. Mori is still talking, but his words become a distant buzz. Everything starts coming back to him at once—his time alone in Suribachi City, the weeks he spent rationing the little food he had, getting the shit kicked out of him by some low rung gang who stole his mother’s ring from him. He remembers giving up, questioning the point of his own existence with a detached logic that left him with only one answer—there was no point to his existence, so he was as good dead as he was alive. 
He remembers seeing on a sign that it was the eve of his fifteenth birthday, and he remembers dropping himself in the bay during a storm, hoping that the tide dragged him so far beneath the surface that he’d never see the light of day again.
He remembers waking up the next morning to an unfamiliar face at his bedside, brows knit in disapproval and lips turned down, and he distinctly remembers feeling put out by a stranger looking at him that way.
“What’s your name, kid?”
Dazai couldn’t remember anything but the name Aunt Kiye had drilled into him over and over again the past few months.
“Dazai Osamu.”
“Hm. Oda Sakunosuke. You got a family, Dazai?
Odasaku brought him in. 
Odasaku saved him. 
The doctors said he’d been dead for almost three minutes when Odasaku found him washed up on the beach—said his memory might return over time, but it might not—but Dazai didn’t even care, because Odasaku brought him in. He gave him a roof over his head, food to eat, and a reason to live. He sent him to school so he could feel like a normal kid his age. He played board games with him and didn’t even care when Dazai was a sore loser and quit mid-game when he realized he wouldn’t win. He humored Dazai when he faked being sick because he didn’t want to go to school. When Dazai was going through bad depressive episodes, Odasaku would sit with him silently and write his book so Dazai never felt alone. Odasaku introduced him to Ango and they were-
They were his friends.
Family, maybe.
They were all he had, and they were all he needed. 
And then-
“We were the ones who killed him.”
Dazai’s gaze drags up from the table to focus on Mori. The man’s lips are curved into a cruel smile, his eyes are sharp, and Dazai is moving before he can stop himself. He lunges across the table, but Mori doesn’t even flinch because Nakahara Chuuya grabs the back of his shirt and yanks him back down into his seat. 
“You-” Dazai spits, voice raspy and angry.
“Don’t look at me like that, we were trying to get to you,” Mori says casually as if the words don’t shatter Dazai’s entire world. “We would’ve loved to have Oda Sakunosuke amongst our ranks. His death was unfortunate. Collateral damage. He was an assassin for a long time—one of the best in the world. He was pretty much unkillable, his ability allowed him to see six seconds into the future. I never understood how our sniper managed to get him that day, but now I do. He saw you getting shot with his foresight and tried to pull you out of the way, but your ability is nullification, so when he touched you to save you, he damned himself. In those split seconds when he was pulling you to safety, he couldn’t see the future, and couldn’t see the bullets aimed for you that lodged into his chest instead.”
Dazai can’t do this anymore. He tries to push himself up to his feet but his legs are numb and uncooperative, and he can’t move his hands or arms. Mori’s lips part to continue speaking but Dazai can’t do this, he can’t hear anymore of this. He’d always known in his heart that Odasaku’s death was his fault even if he couldn’t remember much about his mother and Aunt Kiye and their desperate attempts to hide him from the Port Mafia. He’d known, but hearing it-hearing the confirmation, it’s too much for him.
Before Mori can say anything, Dazai is startled from his spiraling thoughts when you stand up so abruptly that your chair goes flying back. Your expression is haunted and you’re not looking at him again, but Dazai is glad for it, because he thinks he’s about to throw up.
“I… I need a minute. I just need a minute,” you say shakily before fleeing the room into Mori’s office so quickly that you almost trip over the chair you knocked over.
The room is silent in your wake, and after a few impossibly long moments, Mori stands to follow you into the other room. The three Port Mafia executives left in the room don’t say anything for a moment, and Dazai is just trying to breathe. He’s trying to breathe and process what Mori just said, but he’s failing miserably at it. 
It’s the woman, Kouyou, who speaks first.
“She’s going to kill me for knowing about this,” she says simply, sparing a glance down at the dead body on her opposite side. “I’ve never seen her like this before. Even when Chuuya-kun went missing for a few days, this…”
“Well, maybe you shouldn’t have conspired against her,” Piano Man sings, looking entirely unperturbed. “I mean honestly, after what the previous boss did to you, I would’ve thought you’d be more sympathetic. Silly me to think you aren’t a cold-hearted bitch.”
Dazai tries to pay attention to what they’re saying, he tries to ground himself with the conversation happening so he can forget the feeling of Odasaku’s blood all over his hands, staining his clothes, smeared on his face. He tries to replace Mori’s echoing words with what they’re saying but he can’t.
“We were trying to get to you.”
“It has nothing to do with sympathy,” Kouyou snaps, but she does look ashamed. “It’s a security threat, it’s bigger than love. This boy could spell the end of everything we’ve built.”
“She won’t kill you, Ane-san,” Chuuya finally speaks up, his knuckles are tight around the armrest of the chair he’s sitting in. “I’ll talk to her, I just-”
“When he touched you to save you, he damned himself.”
“Chuuya-kun, she almost killed you,” Kouyou says so dryly that the words almost don’t even register to Dazai, but when they do, they’re the only thing that effectively draws him from his spiraling thoughts. He looks at Chuuya sharply to see if what Kouyou said was true, and his eyes widen when he only grimaces and looks down. “You and Piano Man. She didn’t even hesitate before pulling the trigger on Ace. She’s unstable right now, there’s no talking to her.”
“But she didn’t,” Chuuya says tightly. “I’ll talk to her, but first…”
Chuuya looks at Dazai so suddenly that he almost wants to snap his head away and ignore him, but he can’t. The ginger studies Dazai so intensely that it makes him want to crawl out of his own skin.
“Did you know?” Chuuya asks, voice low. He’s angry, Dazai can tell from the way a dark red color starts to flicker around his hands, but he’s trying to keep it together. “Tell me. Did you know who she was and use her to get closer to the Mafia for revenge? I’ll spare her the pain of having to put a bullet through your fucking head and kill you myself right now. Did you know who she was and purposely-”
“No,” Dazai interrupts, voice hoarse. “No. I didn’t-I didn’t know.”
Chuuya stares at him for a few seconds, studying him like he doesn’t know if he actually believes him, but after what feels like an eternity, he finally shakes his head and looks away, rubbing his face with his hands.
“Fuck, this is such a mess,” Chuuya breathes out, voice strained. “Fuck. She-”
Chuuya doesn’t finish his sentence because the door to Mori’s office reopens and you step back into the room, Mori at your heels. Your eyes are red, but your expression is withdrawn now, void of the tumultuous emotions that had been raging across it just a few minutes before. You settle back in your seat. Your eyes flit over Dazai like he’s not even there before focusing on Mori.
Dazai suddenly has a bad feeling.
“I’m not quite sure how you escaped us after that,” Mori continues where he left off, and Dazai is so sick of the man’s voice that he almost wants to rip his own ears off. “Probably Sakaguchi-san from the SDUP, I recall him and Oda-san being close… but that brings us to the present, doesn’t it? Four years later, you stumble into our lovely hime… Come, dear, let me tell you my running theory, and you tell me how accurate I am, yeah?”
Mori is looking at you now, eyes glittering as he waits for your response. Dazai has his own serious issues with the man, but he thinks it’s sick the way he’s enjoying your clear discomfort and increasing distress. Your jaw tightens a bit, but you nod, signaling for Mori to speak. Dazai’s nails dig into his pants as he waits for Mori to continue. Neither of you look at him, and Dazai’s lips part to speak so he can preemptively deny whatever Mori is about to accuse him of, but he can’t push a single word out. 
“Your first meeting with him wasn’t by chance. A cafe, maybe… a bar?” Mori offers, watching your face carefully for a reason. You look away at the second option, and the man’s lips curve up. “A bar, then. One you frequent, I bet. The one in Hodogaya-ku, perhaps? Your first meeting, but not Shuji-kun’s first time seeing you. Ui Koutarou—his journalism professor at YNU—wrote his first article implicating the Mori Corporation’s connection with the Port Mafia in February of this year, around a month before rising fourth year students register for classes. Shuji-kun, naturally, has been following anything related to the Port Mafia closely, so when he sees a class being offered in the fall by the same man who has been openly targeting the Port Mafia, he sees an opportunity and signs up for the class.”
No, Dazai tries to say. His lips form the word, but the sound doesn’t come from his lips. No. No, no, no, no. You look haunted suddenly, and Dazai remembers the argument he had with you during the government event in Tokyo. How cold and withdrawn you’d become. How when he confronted you next, you accused him of working with Ui Koutarou and blackmailing you for money. Mori is reigniting all of the initial fears you once had.
“Ui-san has had his sights set on you for quite a while, dear. You don’t need me to tell you that, you’re very well aware of the man’s hatred of you… When Shuji-kun started classes in the fall, Ui-san roped him into his plans, and you became his project. That wretched man had many documents on you. I had the Black Lizards raid his apartment after we captured him—most were harmless, detailing places you frequented and people seen around you, but when Shuji-kun became involved, he started using that information to manufacture meetings between you. I imagine that after you met him that first time, he started appearing around you rather regularly. Bump-ins at that cafe you like in Minami-ku, on the streets—he even started renting an apartment on property that we own after he realized the opportunity he had with Ui… he’s only been living there since the summer, you know?”
His last apartment wasn’t close enough to the school, Dazai wants to argue desperately. He’d been lucky that a cheap apartment opened up in Hodogaya-ku before the semester started—he’s been trying to get one since his first year. It has nothing to do with-
Dazai suddenly feels nauseous again, everything is spinning around him—he still hears Aunt Kiye screaming at him, he still hears the creaking of the rope his mother hung himself on, he still hears Mori’s confirming that Odasaku’s death was his fault. And now this, and you’re not looking at him again, and he’s not saying anything, why isn’t he saying anything? Why isn’t he denying this?
“He attached himself to you quickly, didn’t he?” Mori asks rhetorically. “Too quickly, I’m sure you had doubts—not even your ability makes people reliant on you as swift as he became. How long did it take for him to start prying for information? Trying to make you slip up and implicate yourself with the Mafia? Confess yourself as an ability user?”
The night of the earthquake when you showed up at his apartment, he remembers dizzily. He started pressing you on your political opinion because he remembered Ui saying that all of the criminal syndicates in Japan are going to do whatever it takes to prevent the military bill from passing. But he wasn’t… doing it to prove anything? He just wanted to know more about you, he was curious, he was finally putting the mystery that you are together. It wasn’t malicious—he just wanted to know you. That’s all it ever was, he’s only ever wanted to know you.
“When did you tell him about your ability? More about our organization? Around when the Guild started making their move in Yokohama, I’m sure. He never told you about his ability until his hand was forced. In fact, I’m willing to bet he lied and said he didn’t know he had one, but tell me, do you really think an assassin of the caliber of Oda Sakunosuke would not realize his ward had an ability that negated his own? That he wouldn’t be trained in how to use it… Most importantly, if all of this wasn’t a scheme of revenge—if he really did love you—then why did he never get rid of the flash drive that contained the proof that his journalism house published? The proof that got you thrown in prison?”
You’re crying.
Dazai’s throat swells when he sees the tears silently tracking over your cheeks. At once, he realizes that he’s never seen you cry before; he itches to reach over to you, to grab your hand or wipe away the tears. He doesn’t—partially because he doesn’t think he could move if he tried, but mostly because he knows that he’s the reason you’re crying. 
He wants to assure you that none of this is true. He had nothing to do with the Guild—they kidnapped him for fuck’s sake. He didn’t know about his ability, he didn’t even know Odasaku was an assassin. And he was just… careless with the flash drive, and he shouldn’t have been, but there was always so much going on, and he was so new to having someone in his life that really loved him that he was quick to bask in it and forget everything else.
He doesn’t assure you of anything, instead he watches as Mori reaches out to do what Dazai wants to do. He brushes away your tears and turns your face to look at him, a disgustingly sympathetic look on his face.
“I know you were eager to believe that someone could love you without your ability at work influencing them, dear,” Mori murmurs, “but people like us will never find a love that pure. There will always be other factors at work sullying it—wealth, revenge, threats. You understand now what this was, don’t you?”
No, Dazai wants to scream at you. He does love you, this wasn’t some ridiculous revenge plot for family he hardly remembered until this meeting, that-
“I do.”
Dazai finally is able to make a noise when those two words leave your lips. It’s weak—something caught between a wheeze and a whimper that sounds too loud in the silent room. He feels eyes on him—Chuuya and Kouyou’s in particular. Not yours. You stare down at the table.
“Ogai-dono,” Kouyou clears her throat. “If I may… perhaps we could… send the boy away. Abroad. Ensure he never comes back to Japan so we don’t have to risk him coming back and disrupting things.”
“We could give him a seat at the table,” Chuuya interrupts, ignoring the wide-eyed look both Kouyou and Piano Man give him because of the radical idea. “We’re down an executive anyway. We tell people who he is, that he supports the new regime. It’s what you wanted to begin with, right, boss? You wanted one of the grandchildren to legitimize the passing of power. We could make it work.”
“It’s too risky.” Mori isn’t the one to speak, Piano Man is, but he doesn’t look happy to do it. “Maybe back then it could’ve worked, but the Port Mafia killed his friends and family, and hunted him down. Too much has happened, he’s an unpredictable variable that we can’t risk. We can’t trust that he’ll just accept it all, that he won’t work behind the scenes to take us down. Giving him any leverage in the organization is the last thing we should do, but what Kouyou-”
“Leave him alive and we risk everything we’ve built falling apart—a civil war igniting, Yokohama being caught in the crossfires and all of our foreign enemies crawling into the city to reap the benefits of our fall. It’s one life or hundreds—thousands, even,” Mori interrupts, voice cool. He turns his gaze onto you. “I trust you know what has to be done, dear.”
Your expression is resolved, a heavy emotion in your eyes that tells him your answer before you even speak. “Yeah, I know.”
You stand up, and Dazai knows that it’s over. When you look down at him, it’s with a type of apathy that makes his stomach twist—he’d rather hate than nothing. His lips part to speak but he pauses when you shake your head slightly, so subtly that he almost doesn’t even notice it.
“Get up,” you say flatly, and then glance at Chuuya. “Chuuya, will you…?” 
“Yeah,” Chuuya replies without you even needing to finish the question. His voice is hoarse, he looks more than a little disturbed. “Yeah. Of course.”
Chuuya rises to his feet and then grabs Dazai’s bicep to pull him up to his feet too. Dazai doesn’t even have the heart to give him a dirty look in response, following along as he leads him out of the conference room and into the hallway. 
For a split second, Dazai really believes that maybe you’re just trying to fool Mori, you made him think you were taking Dazai to have him killed so that you can get him out of here safely, but even once you’re out of the conference room without Mori’s eyes carefully watching you, you don’t look at him.
“Get one of the clean up crews up here,” you tell one of the guards waiting in the hall instead as you frown at your phone, typing out a quick text to someone. You pointedly ignore how alarmed they are by the offhand comment to click on the button to the elevator.
When you look back at the two of them, it’s not to look at Dazai—it’s to look at Chuuya. The two of you are having a conversation, Dazai can tell that much, and he thinks that maybe he should be putting in the effort to figure out what’s going on, what you have planned, but he’s just… tired. He’s not even sure if he cares what happens to him anymore, and he figures the worst case scenario is that he dies at your hands, and of all of the ways he could go, he thinks that would be the most preferable, because at least you would be the last thing he saw.
He doesn’t try to speak again until the three of you are in the elevator and the doors have closed. 
“I-”
“Stop.”
Dazai is startled by the sharpness in your voice. He looks at you, but you’re still not looking at him, your lips are curved down as you stare at your phone, typing furiously. He glances up into the left corner of the elevator, noticing the cameras—maybe that’s why, he thinks a bit unsurely, deciding to stay quiet until out of the building. 
When the elevator doors open, it’s Chuuya that urges him to keep walking by nudging his shoulder. You don’t touch him, don’t look at him. There’s nobody in the main entrance of the building, which Dazai thinks is a bit odd, but he bites back any comments he might have when he sees a black car waiting outside the building.
The doors to the building open at your approach, and Dazai inhales the crisp, fresh air greedily, not even having realized how stifled he’d felt in that room with Mori, you, and the other Port Mafia executives. He thinks maybe that you’ll sit in the backseat with him and he’ll finally be able to talk to you, but you don’t. You open the door to the passenger seat and sit there without even sparing him a glance.
Dazai’s throat starts to swell again, stopping in his tracks as he stares at where you disappeared behind the car door. Chuuya pushes him forward, not letting him linger for long—he opens the door to the backseat and pretty much manhandles Dazai into the car before taking a seat next to him.
He recognizes the person at the wheel—Albatross, your friend. He’s driven you and Dazai around before, every time Dazai gets in the car with him, he makes a sharp comment aimed to embarrass you in some manner. This time, he doesn’t even look at Dazai through the rearview mirror. He just puts the car in gear and starts driving.
A pit starts to form in Dazai’s stomach. Dazai tries to initiate conversation with you again now that you’re outside of the Port Mafia headquarters within closed quarters, nails scraping against his pants as he decides what he wants to say.
“I d-”
“Stop.”
When you cut him off now, Dazai’s stomach flips. He stares at the side of your face, trying to understand why you won’t even listen to him. You can’t actually believe what Mori was saying, you can’t. You were faking him out, tricking him into thinking you fell for it—you had to be, you have to be. You can’t possibly believe him. 
“You won’t… even hear me out?” Dazai asks you quietly.
“There’s nothing left to say.”
Oh, Dazai thinks to himself, withdrawing. He stares at you for a moment before turning away stiffly, expression tight and strained as he stares out the window, watching the buildings pass by as they get closer and closer to the ports. 
You believe it, he realizes dully. You believe that it was all just a scheme. You believe that everything was manufactured, that he used you for some fantastical revenge plan, that he never loved you. You believe it.
But it doesn’t make sense, he thinks desperately. He doesn’t understand how you’re not seeing through it, and if you are, why aren’t you at least giving him some hint? He should try to say something again—he knows that, but he finds himself unable to. He’s a smooth-talker, quick on his feet, but never when it comes to you—since the day he met you, he’s been fumbling over words awkwardly, but now it’s costing him everything. He finds ash in his mouth preventing him from salvaging anything he might’ve had with you.
Dig your nails in and cling, he reminds himself, but his nails have become rounded out and blunted from how long he was scratching at his pants and skin while remembering all those memories he locked away. He tries to dig his nails in and cling, but his voice fails him and his nails can’t even find purchase on your skin, you slip out of his hands as easily as an eel.
He’s going to lose you. He might’ve lost you already.
Dazai thinks that’s worse than the realization that he really might be about to die.
The car comes to a stop much quicker than Dazai had hoped, and he stiffens when you waste no time before getting out of the car. He makes no move to join you outside, and Chuuya sighs next to him.
“Get out,” Chuuya says flatly. When Dazai doesn’t budge again, Chuuya snaps, “Get out of the car-”
“-and go, we don’t have time! They’ve found us.”
Dazai draws his knees to his chest, breath becoming a bit labored as his aunt’s voice echoes in his ears. He doesn’t even realize that Chuuya has gotten out of the car until Dazai’s car door is pried open. For a split second, he confuses the executive with his aunt as he’s yanked out of the car—he’s fourteen again and being abandoned by the only person he has left, and he can just barely bite back the “don’t leave me here!” that almost spills from his lips as his knees hit the ground hard.
Dazai is instantly hit with a thick scent that makes him gag. It’s noxious, almost entirely unbearable, clogs his throat to the point he almost struggles to breathe—a blend of rot, acrid chemicals, and something he doesn’t recognize, but it’s sickeningly sweet. As he pushes himself to his feet, he notices you pass your gun over to Chuuya, but in that moment, Dazai is more concerned with figuring out where he is, and when he does, his stomach drops.
The dumping grounds by ports stretch endlessly under the heavy, overcast sky. Mounds of trash rose like grotesque hills patched with scraps of torn plastic and suspicious lumps that Dazai doesn’t have to get close to know what they are. The ground is uneven and treacherous—a mix of sticky mud and sharp shards of discarded glass and plastic, and pools of murky water shimmering with oil slicks. 
It’s disgusting, and Dazai has a feeling it might be his final resting place. 
He trails over to the side of the road and his gaze tracks down to the ground directly below him. It’s not a far drop, hardly a foot or two, and certainly less gross than some of the other parts of the area, but that’s a low bar to meet. He tears his eyes away from the scenery around him to look back at you, lips parted to speak but he doesn’t say anything.
You’re leaning against the front of the car, watching him with an expression that Dazai can’t describe. Sad, maybe, resigned. Chuuya is back in the car, from what Dazai can tell, he's still fiddling with your gun—he wonders if this is his way of letting the two of you say goodbye in private.
“I do love you,” Dazai says. His voice cracks over the words. “No ulterior motives. No schemes. I just loved you. Love you.”
You don’t say anything for a moment, eyes drawing from him somewhere over to the side like you’re looking for something, but after a moment, you look back at him, your face a little softer than it was before.
“I know,” you tell him quietly. “I know, Osamu.”
Dazai’s lips part to say something back—he doesn’t even know what he wants to say, because confusion fogs his mind. If you know, then why-
Why are you doing this?
He doesn’t get the chance to ask. The car door opens and Chuuya steps back out, he passes your gun back to you and Dazai sees you subtly slide something into his hand too, but he can’t tell what it is. You sigh as you look down at the gun before looking back up at him again, he holds his breath as you make your way closer to him.
His lashes flutter shut, expecting to feel the cool barrel of the gun against his forehead, but his breath hitches when he instead feels the familiar warmth of your hand cradling his cheek. Your fingertips are flaked with Ace’s dried blood, but Dazai still leans into your touch, eyes sliding back open to look at you.
Up close, your expression is twisted with regret and… is that fear? Dazai can’t tell, he doesn’t care, he’s more preoccupied with memorizing the image of you before he runs out of time to.
“Forgive me,” you whisper so faintly that Dazai almost doesn’t hear you.
“I do,” he replies just as softly.
Your face crumbles as you look away. You take a step away from him, and your hand drops down from his face. Dazai instantly mourns the loss. You let out a heavy, shaky breath, sparing one last look down at the gun in your hand, one to Chuuya who stands half a step behind you, and then you look at Dazai again.
“Forgive me,” you say again, this time as you lift the gun—your voice is raspy, breath uneven.
Your fingers tremble so violently that the whole gun is unsteady, but Dazai doesn’t even care to look at it, gaze focused on your face instead. 
“I do,” Dazai repeats.
You pull the trigger. 
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loulovingho · 17 hours ago
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I just love that our little thoughts and ideas of what would happen this season on 911 were all so much better than what actually happened. I mean, our spec for the first half was all like:
bobby and athena deal with the aftermath of losing their home
maybe bobby contemplates becoming chief, or athena thinks seriously about retirement and what that would mean.
buck finally moves out of the loft and has an adult relationship where they work through their problems instead of running from them or making irrational decisions.
eddie works on his issues, making christopher his top priority.
hen and karen struggle with mara not being in their home, causing tension between them and maddie and chimney.
ortiz's grief is properly addressed and discussed and she is finally faced with the truth about her son.
gerrard is his usual homophobic, sexist, racist self. he causes tension within the 118, and possibly with tommy.
chimney and maddie contemplate adoption, or think about becoming pregnant again after properly discussing her ppd.
and then you have whatever the fuck was happening in the actual writers room, like:
buck baby boy/peter pan/never grow up
eddie dance in underwear. all healed. Texas whee!
who are bobby and athena?
maddie exit call center? only for pregnant! which is surprise of course!
what's a chimney?
hen and karen only gays allowed and always kid problems!
fuck tommy
gerrard silly old man!
Make sure main focus is on BRAD. everything should be BRAD. we must worship BRAD. Six episodes for BRAD. BRAD is our hero. BRAD is love. BRAD is life. Everyone is going to be fucking obsessed with BRAAAAAAAAAAAAAAAAD!
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mrgrimreaper1 · 20 minutes ago
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Dude this is sick, reminds me of this cool different Undertale multiverse idea I've made one day.
[this whole Multiverse happens like, years down the line, pretty much a time skip AU causing error and ink to be much stronger for some reason, there's a reason why I scrapped it a lot of the story is me making a scenario in my head and struggling to explain why it happens the way it does.]
In it error sans finally managed to end ink, and once he does it he regrets it later on because of the boredom that come from no one on his level to really attempt to fight back against him destroying things, and since there was no one making Another AU protector for so long, he needed to slow down on destroying the AU's because of [reasons that don't really make any sense for his canon character to do, because he would probably destroy them all regardless of how he would feel about it afterwards, which is why I've made this a completely different multiverse altogether AND scrapped it.]
Because in this MV (MultiVerse) he would die of absolute boredom if he actually destroyed everything in one swoop, so he needed to balance destroying things and then wait for creators to create more anomalies for him to destroy, which he finds really annoying, so in his absolute bored out of his mind state, he makes the choice to create something himself.
A replacement for ink that could rival him and force creators to work overtime and make more anomalies for him to destroy, he takes a pen and paper and sketches a sans design heavily based on ink, which is why this version of "ink" is named "sketch!sans" with nicknames like "sketchy, sketched, sketchup." [Ketchup joke, made by either classic sans or fresh sans, haven't really chosen who did it, could be any Sans', really.]
Then to bring this character to life error after a while of trying he would get really frustrated, because he doesn't know how to do it, making him throw the drawing away.
Causing it to fall down to the bottom of ink's doodle sphere where the remains of the destroyed AU's remained or something causing sketch sans to actually be created...
[...This only works here because I reworked what happens once you destroy an au, in this multiverse once you destroy an AU, the Portal to said AU in the doodle sphere turns into magic ink and it remains at the bottom of the doodle sphere for the rest of eternity, but thanks to how many AU's we're destroyed they accumulated and mixed together, making a huge mess.]
Thanks to the ink being mixed together this version of ink sans would come out with a lot defects, he would come out of the ink "colorless" or just "black, white and grey." Being straight up a blank Canvas, a husk of what the real ink is supposed to be, so a lot of his emotions were muddled and he didn't act like what you'd expect ink to act like...
...Causing sketch sans to be very insecure? Maybe, his whole character arc that I've had planned for him is him trying to live up to error's expectations and straight up trying his damnest to act like ink would, causing a lot of identity crisis's until he met the star Sanses and they explain to him why he simply can't get his whole attempt to imitate ink right, so they introduce him to the vials ink used to act the way he did, then sketch would start going after said vials to act more like ink, as he kept finding and drinking more of these vials he would slowly and surely becoming a lot more like ink and he would regain his colors with each vial, with error constantly encouraging this to make him keep going and get the real ink back, thanks to error's inability to care for sketch's whole identity crisis causing sketch to reach his breaking point when he meets Cross!Sans and his whole thing and experience with identity crisis's and making him realize how abusive this relationship with error is, causing him to either cut ties with error or just become his own person and completely ignore error's wishes, and just deal with him without the pressure of having to act like ink, or whatever, I don't have a proper ending to it.
It was nice getting this off my chest and head.
ERROR!INK (ASYNC SANS)
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ok so, finally came with a full idea of this character:D an error version of ink. i'll be listing some facts and clarifications about him to prevent any kind of confusion, just under the cut!
i wanted to write his entire backstory on here but it ended up being a little too much longer than i expected so maybe i'll make a comic about it- or no (wheheh). but basically everything started when he also tore his soul but appeared in the anti-void instead of a normal void that would eventually become his doodle sphere
now, his design choices
he's wearing the first ever clothes he used in His Story comic
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his eyes colors were chosen thanks to their inverts, those specific magenta and blue are the opposites of green and yellow, the first colors he experienced in his original story
the marks on his body are white to represent the meaning of the few white garments in his original design: "The white layer underneath says how he attempts to hide who he is, but his emptiness sometimes shines through."
his "tattoos" are no longer illegible when he turns into an error, they become common binary codes (the font used for these is Note This, ink's official font)
the red (magenta) eye is on the right side to somehow symbolize the blood his "scar" would cause
there is no yellow on his clothes to show how secretive he is, as he constantly hides half his face in his scarf
personality traits and extra facts!
as said before he is someone incredibly reserved, mostly because while being in his 5 senses he is afraid of his self without his doses of paints and tries to not attract attention
nonetheless, he likes being around people, he would probably travel across universes to hang out hidden in crowded places
the "specific situations" mentioned on the first part of the sheet refer, for the most part, to self-defense. but there may be other situations where he simply creates stuff that people ask for from time to time
compared to his original counterpart, he will take much longer to drain as he'll rarely use his powers
if he talks for too much time he'll glitch for an instant and forget everything he was saying. that is one of the reason he doesn't enjoy talking so much
when he's in the doodle sphere he often has momentary traumatic hallucinations, so he tries to leave that place as quickly as possible
these previously mentioned hallucinations also happen in panic situations or as a sign that the ingested paints are no longer effective
okie dokie i think that's all for now<3 if anything comes to my mind later or anytime i'll try to post it or smth! hope you like it🫶
ink sans by @/comyet
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zzzaru · 3 days ago
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epic the musical actor AU anyone
Odysseus (Lead Actor): 
talented emotionally complex actor, juggling weight of being the lead while trying to be a good husband and father
he and penelope had telemachus when they were young, and his career took off shortly after, pulling away from family life
trying to reconnect with them while facing his own insecurities about being enough for them
during the scene where odysseus reunites with telemachus, the emotions hit just a wee bit too close to home, which leads to an actual breakdown
stays late a lot after rehearsals, reworking scenes, trying to be a perfectionist
Penelope (Actress)
fiercely intelligent actress, odysseus’ real life wife
balances being a mother to telemachus, acting career, and the occasional media frenzy over their relationship
while she loves odysseus a lot, struggles w the resentment of his absences
tears up during penelope’s monologue about loneliness (hits too close to home 👎)
shares quiet, intimate moments with odysseus between takes (the directors are TIREDD)
Telemachus (Actor)
a young actor breaking into the industry, cast in the musical just bcuz of his parents’ influence
determined to prove he earned his place on his own
doesn’t love being in his father’s shadow, but he looks up greatly to him
love-hate relationship with his dad
emotionally charged performance during telemachus’ ‘confrontation’ with odysseus
is more lighthearted with the rest of the cast, poking fun at odysseus’ dramatic tendencies
Eurylochus (Actor)
one of odysseus’ oldest friends, cast as his loyal (combative) right hand man.
serves as the group’s voice of reason, but his blunt honesty sometimes causes tension
uses dry humor to diffuse tension between odysseus and telemachus but privately encourages odysseus to make amends
finds himself unexpectedly emotional during luck runs out and mutiny
Polites
comedic glue holding the cast together
actually everybody’s favorite castmate
feels overlooked compared to the larger personalities around him
offers emotional support to telemachus after a tenser rehearsal
can keep his eyes open for a concerning amount of time. very good at playing dead?? actually scared his friends during the cyclops scene
Zeus (Actor)
charismatic, laid back veteran actor
mentor/dad figure
LOVES cracking dad jokes, bringing snacks to rehearsals much to athena’s embarrassment
ATHENA’S DAD STILL
incredibly approachable 
competes with poseidon during press tours
Athena (Actor)
fiercely independent (still zeus’ daughter)
trying to prove herself as a director in her own right
perfectionist
cares for the cast and crew, hates showing it
sometimes teases zeus for being overbearing
lighthearted banter with zeus on set
quiet moments where she talks to hera about living up to her father’s reputation
Poseidon
zeus’ brother and self proclaimed ‘cool uncle’ of the cast
charming, mischievous
lightens the mood during long rehearsals
him and zeus = playful rivalry
leads karaoke nights occasionally
bonds with eurylochus over their mutual love of seafood and practical jokes
Hera
graceful and respected actress
unofficial ‘mom’
ready with words of wisdom
helps penelope and telemachus work through their nerves before emotional scenes
scolds zeus and poseidon for goofing off sometimes
Aphrodite
rising star in the acting world
social media sensation
glamorous and confident, but genuinely kind to everyone
posts behind the scenes and blooper reels
teaches telemachus how to handle social media fame
organizes a cast photoshoot to help everyone look their best for promotional materials
Apollo
multi-talented ‘golden boy’ of the cast
known for singing, acting, guitar solos during breaks
effortlessly charming
somewhat competitive (friendly) with ares
challenges polites to a ‘sing off’ during a wrap party, turns into a cast wide jam session
writes an original song for the cast
Ares
high energy
loves keeping everyone entertained
fiercely loyal to his crew. also dating aphrodite
playful rivalry with apollo
surprisingly good with kids
starts a nerf war on set during downtime, with the entire cast getting involved
improvised ‘is she dead’ in god games, everyone couldnt help but laugh
Antinous
charismatic, mischievous, well liked
known for polished performances
naturally confident
relationship with telemachus started through rehearsals bonding over shared family pressure
admires telemachus’ raw talent
fiercely protective of telemachus
on stage chemistry. directors hate them
Hermes
quick witted, flamboyant
hard worker (in his own. way)
flirty. flirts with half of the crew. especially odysseus and polites
never takes things too seriously
sees himself as the ‘glue’ of the cast (he is not, it's polites)
little scenarios i've been cooking up
during god games, where athena and zeus fight physically, i'm thinking one of the props go askew. athena and zeus are fighting in scene, and then one of the props from above suddenly fall, hitting athena in the head, causing panic from the rest of the crew- she's fine of course, she wasnt hit too hard, but panic ensues for everyone, esp zeus and hermes, since athena is family. (athena is zeus' daughter, hermes is athena's brother). and of course the rest of the crew like odysseus, ares, etc)
zeus’ relationship with ares in th is AU is very much like jay’s and mitchell’s from modern family
scene with the cyclops, where the 'cyclops' is supposed to kill polites, when polites is lying there on the ground with fake blood on him he makes it seem a little too real. he gets 'crushed' by the cyclops, and then he rasps out "captain" to odysseus, desperately (acting) like there is dark fake blood dripping from his head, his fake glasses are broken and then his character dies. polites can keep his eyes open for an unnaturally amount of time, and he can make them seem lifeless so after the scene is done, odysseus and eurylochus both go to hug him just to make sure he's there and fine. they cling to him for a bit. polites is very confused, but the hugs are welcome!!
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nmakii · 1 day ago
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omg bachira, isagi, tetchou and dazai with an autistic s/o PLEASE
if you will , make them headcanons ^^ hope you have a wonderhoy day !!
hello, my alien. we’re each other’s mystery
— bachira + isagi + tetchou + dazai x autistic!s/o
so basically all of them x me i see.. i feel like i fucked up on isagi i cant pinpoint his personality ugh. debut into bllk omg im shy hi reentry into bsd too haha if u guys were active in 2022 i think i am familiar. WAIT NOTE AB THE TITLE… LISTEN TO FRIENDS BY BTS IM NOT ABLEIST ITS SUPPOSED TO BE CUTE :(
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— bachira meguru
lets be honest he is also a bit autistic…
very hard to be around when you’re overstimmed ngl… he tries to tone it down when he knows you cant handle too much at the moment. but it’s hard for him to just dial the craziness to 50 😞
oh, very good though at getting you out of social situations. he can slip the two of you out of a party like it’s nobody’s business, cause it is nobody’s business :x
hes also a bit of a wild card too if you’re obsessive about having a routine. he’s a free spirit, so having to do things the same way is a bit of a chore.
when you go non-verbal, he brings out a notebook that you two write your conversations on. he doesn’t actually have to write it down. he can communicate just fine, but he likes to write them down as a memento of your relationship.
he alsoooo likes listening to you yap about your special interest! very attentive, you’d think that you’re a professor and he’s your student at how the flow of your conversation is going
“huh— where did bachira and s/o go..?” isagi asked. he turned around, looking for the two of you after the sudden realization that he was abandoned in the middle of the buffet line…
bachira pulled you out, and in an abandoned hall. he noticed you suddenly started plugging your ears.
‘you ok sunshine? :( is the music too loud?’
‘a little bit… i just wanna get away for like 5 min..’
‘hehe, dont worry. ill stay with you (╹◡╹) <3’
‘ty meg :) <3’
bachira smiled as he saw your hand-drawn emoticon. the two of you doodled all over the notebook while he hummed until you were ready to return.
isagi groaned as he saw the two of you reenter. “you guys..! you should’ve told me if you were gonna sneak away!” bachira stuck out his tongue, making a silly expression. “oops! it just slipped my mind!” he snickered.
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— isagi yoichi
with the geniuses he has to keep up with, you’re a total walk in the park for him ;p
mega caretaker, he’s super good at protecting you in uncomfortable environments. i feel like he has a weighted blanket somewhere in his room to cover you with, cause he knows it makes you feel safe.
he lowk overprotective sometimes though. he knows his friends like bachira and raichi are a bit more on the raucous side, so he doesn’t hang out with them when he’s with you until like… 2 years into your relationship (they lowk didnt even know he had a partner). in those two years, he only introduced you to his peaceful friends like nagi, hiori, iemon, and kuon
he doesn’t fight you too much about if you have a routine. he has a luck routine and his spacial awareness makes him really meticulous about how things happen, so he’s gets your struggle :x
he tried learning sign language. he really tried… but there was so much signs; for an entire month, his search history was ‘how do i say [thing] in sign language’
he ended up only learning the alphabet, numbers, and basic words like please and hungry. now when you go non-verbal, he simply just opens his notes app for you to type ;p
he, like bachira, loves your yap. its like his personal podcast fr. he likes to let you sit on the kitchen counter and yap, while he washes dishes. he also likes putting on wireless headsets and listen to your voice messages while he practices, or works out at the gym.
“are you absolutely sure you wanna meet them?” isagi asks. “babe, theyre my friends, but theyre also kind of annoying.” he warns you. of course he meant it lovingly… you nod. “yup! they’re your friends, yoi. i wanna meet them..!”
he sighs and nods. “fine… don’t say i didn’t warn you…” he opens the door. you recognize kunigami, he’s talking with chigiri. “isagi! there you areee~!” a boy with a bob-cut hums. “ah, bachira… this is s/o.” isagi points to you. “ooh~! nice to meet you! im bachira meguru. so you’re the one isagi’s been hiding?”
“don’t overwhelm them too much…” isagi sighs, he pulls you away carefully, bringing you in kunigami’s direction. if you settled in with people you were already acquainted with, then you should probably adjust better. that was isagi’s conclusion. “if any of them pester you, just tell me, okay?”
you nod, a bit saddened at your’s and bachira’s conversation’s sudden end. “im not a kid, yoi. you don’t have to worry over me or anything.” isagi frowns. “hnn… i just don’t want my friends overstimulating you. they might be too much for you, babe.” he explains. at that moment, igaguri suddenly yelled out at gagamaru for taking one of his gyozas, making you instinctively cover your ears.
“seeee?” he points out. “okay… point taken… but, i can still deal with it. if im uncomfortable, ill just tell you, okay?” you offer, trying to compromise. isagi looks around, weighing the possibilities before nodding. “finee…”
that day actually went quite well, you were able to keep up with all of them without getting overstimulated. that night, isagi had his face in his pillow, his face being that of death and grief. ‘they dont need me anymore… theyre gonna end up hanging out with my friends more than me…’ he mumbles.
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— tetchou suehiro
another lowk might be autistic (but in a diff way)
he isnt too sure about what to do when you’re overstimmed. so, he usually just takes you to a quiet place and sits down with you until you’re calmer.
hes hella conflicted on whether or not he should introduce you to the hunting dogs. his line of work is pretty dangerous after all, and his co-workers aren’t exactly… pacifists 💀
he ends up deciding not to though. worst comes to worst, he just introduces you 5 years in to your relationship— thats what he thinks.
he doesnt mind your routine. he, himself, is pretty eccentric, so you two are just okay with each other’s quirks :x
tetchou doesnt care when you go non-verbal. lol. okay joke, its more like, he’s also very quiet, he doesn’t even actually notice that you two havent talked to each other for 14 hours.
but when the two of you are talking, he is still as quiet as ever. it’s usually you yapping and tetchou asking questions once in a while. never though, does he ever interrupt you when you talk; always waits for you to finish what you’re saying so you dont lose your train of thought 🫡
tetchou spreads some spicy ranch on his pancakes. it was a pretty good combo. he sat at the dining table, as he heard your alarm clock ring.
first thing you do when you wake up, stretch then use the bathroom. tetchou has your routine memorized by now. second, have cereal for breakfast. third, get dressed. fourth, check if your bag has everything you need. he continues his own routine, and you complete yours, until it’s time to head to work.
you’re double, triple, quadruple checking your bag, making sure you didn’t leave anything. tetchou finished lacing up the strings of his boots before he rises back. “ready for work?” he asks, taking his own little peek into your bag.
“uhuh” you nod. tetchou hums, noticing the charger you left on the counter, and slipping it into your bag. “now you are…”. you gasp, “so that’s what i forgot… thank you, chou..” you say. his deep voice vibrates in his throat as he leans in and kisses you, “stay safe. call me if you need anything.” you wrap your arms around his neck.
last part of your routine, hug and kiss tetchou before leaving for work.
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— osamu dazai
he lowk adhd u feel?
when youre overstimmed, he lets you lay on his shoulder while he pats your back and brushes your hair. times like this are his personal favorites, it’s when the world is quiet and no one but you and him exists.
defdefdef introduces you to the ADA members. he finds you similar to kyoka, and always encourages you to hang out with her.
adding on that, he sort of sees akutagawa in you… is akutagawa also autistic? hmm… either way, hes a criminal! he cant let his partner interact with a criminal! — the criminal says after diner dashing again.
the routine thing doesnt really work for dazai either… it’s either you break up with him or let him wake up at 4:00 to eat noodles and rearrange the layout of his dorm, bestie… (just leaves his pot in the sink btw, he a bum like that)
actually knows sign language! dont ask me why he knows, bc i dunno either. he just does :x
he also loves to listen to your yap. actual yapper x yapper. you two’s conversations are lowk exhausting though. you both interrupt each other and talk until you’re both breathless. HAHAHAAH
sluuuuuuurp!
you’re waken up by the loud, really gross, squelching sounds of dazai’s saucy noodles as he slurps them up. the sound is uncomfortable— really uncomfortable.
“s—samu… dont… too loud…” you groan, trying to cover your ears. dazai perks up, “ah, did i wake you..? awh, im sorry, dear..!” he apologizes. even though dazai truly meant it, for some reason it just sounded like sarcasm. “uhuh… j…just dont do it again… trying to sleep…” you hum. “got it… go back to sleep, sweets”
for the rest of the night, you sleep well. dazai makes sure to remain veeeery quiet, taking bites of his noodles rather than slurping, carrying his feet, and using all of his hidden muscles to carry his bookshelf. maybe if he keeps doing this, he wont look so lanky anymore.
at around 6:30, you finally wake up again, your surroundings completely different, and you start to panic. “wh—h..huh..?” you look around. dazai’s in the closet, rolling all of his empty beer bottles into it. “hi, baby! just decided to tidy up a bit. you like?” he asks
tidy up? “tidy up, my ass..! all of your stuff is in different places..! i have to relearn my way around your dorm all over again..!” you complain. “hehe… it was for a good cause! you have your own space now in here!” he grins, opening the second to the bottom drawer in his dresser. it was tidied up, and empty.
“for me?” you ask. “mmhm.” he confirms with a hum. even though dazai was quite lazy, stubborn, and annoying, he really put effort into making you happy. just you.
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dilemmars · 1 hour ago
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⠀⠀⠀⠀⠀⠀“ DIE WITH A SMILE. ”⠀⠀───⠀⠀arcane.
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⠀⠀𝖾𝗉𝗂𝗌𝗈𝖽𝖾 𝗍𝗁𝗋𝖾𝖾.⠀( the base violence necessary for change , 9.3k words. )⠀by dilemmars.
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1.⠀⠀ PAIRING⠀⠀:⠀⠀violet x f!reader.
2.⠀⠀GENRES⠀⠀:⠀⠀based on the storyline and universe of arcane ( league of legends tv show )⠀; first love trope, started dating recently, stablished relationship, exes to lovers. basically you and vi were dating before the start of the story, then got separated.
3.⠀⠀WARNINGS⠀⠀:⠀⠀i will add the warnings that the tv show has: slight presence of sex and nudity, foul language, alcohol, drugs and tobacco. moderate scenes of fear and terror. high content of violence and gore. in this third chapter, there's a lot going on. mentions of death, injuries, prostitution, blood, fights, and a brief suicidal thought at the end. please do not read if you're uncomfortable with it.
4.⠀⠀AUTHOR 'S NOTE⠀⠀:⠀⠀third chapter out! i'm so sorry thta it took me another full day to post a new chapter. i haven't even watched act 3 yet because i lit have no time, but i managed to finish this. it is very sad. i'm sorry about that too. but next chapter will be slightly more relaxed, with less drama, i promise. happy sunday 🤍
5.⠀⠀IMPORTANT⠀⠀:⠀⠀this is a work of fiction. i do not own arcane or any content produced or owned bychristian linke, alex yee, riot games or netflix. all rights belong to netflix and the writers of arcane. all plot events and character developments that are not related to the main character's story belong to the writers and creators of the series.
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It's hard to know what your last breath will be, but sometimes you can feel the moment lurking, like a shadow looming over you, icy and heavy. Crouched on that rooftop, the air had a strange edge to it, as if each breath cut inside. The mist rising from the streets scratched at your throat, but it wasn't just mist. It was the weight of the inevitable.
You paused, frowning, as the usual swaying of the wooden sign of Benzo's caused your gaze to wander towards the entrance of the shop. And before you could comprehend what was happening, the scream came as a jolt, tearing through the silence of the night. It was as if the sound pierced your skin, sinking into your flesh, clinging to your bones. The kind of scream you can't help but hear, a gasp ripped from a throat. A hopeless, desperate voice that forces you to imagine the pain behind it. One last breath, and a body slumped to the ground.
And then, you caught a glimpse of him. A blurred figure, moving with a ferocity that seemed unnatural, unloading a punch on another uniformed officer, the glare of his gaze utterly animalistic. You cowered over the edge of the building, struggling not to look away, and flinched at the brutality of the pounding. The Enforcers all looked the same, with the metal mask and the blue cap, but the creature that had attacked them was familiar. It seemed less human with every movement, a mass of disfigured flesh and purplish meandering veins, but the curve of its chin, the soft wave of its hair... you had been so close to its face that you had come to memorise it.
Deckard. You recognised the sharp turn of his movements, accentuated in that state. You had felt his violence in your own skin, you knew it. Altered into a violent beast, he still retained some of that cruel strength, no doubt hindered by the way his body had grown and deformed. You saw him ignore the authoritative warning of a third Enforcer, and approach her at superhuman speed. In the blink of an eye, the police collapsed at his feet, like a drunk by a tavern door. Her blood spilled down the wall of the tent, sloshing everywhere, and you followed it with your eyes as it slid between the stones, thick, after Deckard had torn her flesh to the bone.
The force of his attack hit you like a shot in your chest, and you clutched at the concrete beneath your hands as if you could somehow anchor yourself to the past. There was silence in the weathered street. You could only hear your ragged breathing, quickening under your skin, and Deckard's silent footsteps as he disappeared. Night had fallen on Zaun like a blanket on your bed, and you felt it on your shoulders, suffocating you. You looked down again, where the rickety bodies of the agents lay like broken dolls on the pavement, their stiff fingers still gripping their pistols, and you could faintly distinguish the movement of someone approaching them in the shadows.
Measuring his pace, as if calculating every step he took, a fourth Enforcer approached the bodies of the fallen agents, his service gun in his hand, and he hesitated. For a moment you wanted to say something to him, to warn him perhaps, that there was a beast loose in the darkness, tell him to run away while he could, but a movement in the dusk stopped you. He was not alone. Behind him, shoulder to shoulder at the entrance to the shop, two frozen figures watched the scene. You felt a knot in your chest as you recognised them: Vander and Benzo. Their stances looked sharp, like a taut bow about to shoot an arrow, ready to defend themselves if necessary.
You leaned forward, caught between the urge to descend and the helplessness of knowing you could do nothing from up there, but something stopped you. You saw something dancing in the fog, the soft walk of a distorted silhouette slowly approaching from the other side of the street. You tried to suppress the shiver that ran down your spine, a shiver that was not only cold, but that also contained more than just that, the fear locked in your ribcage, rising up to feel it pulsing in your throat.
And then, the glow of embers in the night: a kaleidoscope of shadows and flames, pierced by a scar, so different from its twin that they looked like the eyes of two different people. The face, sharp, pale, and an imperturbable pace, so sure of himself that the ground seemed to tremble beneath his feet.
‘Silco?’ Benzo, hesitant, confused at first, turned rabid as he brandished the old silver candlestick in the direction of the unknown man. ‘You animal,’ he said, coming closer, stumbling, ’go crawl back into whatever hole you came out of.’
You couldn't see the venomous smile that tugged at Silco's thin lips, but you did hear the desperate tone torn from Vander's throat as he raised his hands towards his friend, cuffed, useless, trying to prevent the inevitable, ‘Benzo, stay back!’
‘You never did know when to walk away,’ Silco's voice, velvety, echoed down the street, emptying the silence, and your heart stopped inside your chest as Benzo tried to pounce on him.
The motion was too fast for the human eye. One instant, Benzo had raged forward, steadfast, defying the impassive man of mist. The next, Deckard's raw strength had brought Benzo down in a bundle of violet swirls, the body of the one who had cared for you since you were a child lying lifeless on the ground. The creaking of his bones echoed wet and dry at the same time, like tree branches snapping under too much weight, the blood surging beneath his shoulders, as if fleeing from the veins it was ceasing to flow through.
From the rooftop, it all seemed painfully distant. You brought a trembling hand to your mouth, a scream dying in your throat, watching Deckard keep his hand on Benzo's neck. His crooked fingers seemed to tingle from feeling the violence of death again, waiting, hovering over Benzo to check that he was gone, and you heard Vander's torn whimper, his legs buckling under his weight, under the weight of loss.
‘Stubborn to the end,’ muttered Silco, relishing each word with reverence.
But then the Enforcer left standing dropped his arms, defeated, betrayed, half-face covered by the mask they wore so as not to breathe Zaun's toxic air, and questioned Silco angrily, ‘What the hell have you done? This wasn't the deal!’
The echo of his words expanded, vibrating inside your head as if searching for a place to linger, and you stood still, watching from the shadows as that chilling scene unfolded, kneeling on the edge of the building, utterly overwhelmed.
‘Deal's changed.’
Silco's words reverberated on the cobblestone floor of the poorly lit street, ringing in your ears, as you tried to clear your mind. You took a breath of air, which cut, cold, down your throat, and looked down. You could still hear his voice, ominously calm and low, and the clink of coins clattering on the floor. A deal. Between the topside and the underground. You frowned, realising that there were no fire stairs on that front, and accentuated your frown as you tried to understand why someone from Zaun would want to ally himself with an Enforcer, of all people.
Before you could even try to slide down the wall, however, leaping from window to window as you had done in the past, you heard Deckard's heavy footsteps on the cobblestone floor, and you raised your head. He was slowly approaching Vander, with no sign of a reaction from the owner of The Last Drop, letting out a low growl as the beast finally took up a position in front of him. His arm swung once like the pendulum of an old clock, and the punch blew against Vander's face with a low, muffled thud, causing him to stagger under its weight.
Your throat closed as you watched him anchor his legs to the ground to keep from falling. You saw him drop his shoulders, defeated, as if he had forgotten his own strength, and he stood just as still as you did whilst Deckard shoved his hand through Vander's hair, grabbing him violently and pulling him to the ground. You watched him, because you were unable to do anything else, as if fear had slid liquid across your skin until it solidified around your ankles, the monstrous creature dragging Vander across the ground. 
It was the certainty. Vander, who had picked you up off the street at your weakest moment, who had taught you how to defend yourself, who had shown you the resilience that characterised him like a class while learning how to make Powder's favourite juice, had been reduced to a shadow of his former self by a punch. What could you have done to stop it? To stand between Vander and the one who had abused you as much as he had wanted? To face Deckard's vicious eyes once more, risking losing him all the same?
It wouldn't have helped.
You watched them walk, Silco's figure turning away from the chaos of shadows and death he left behind him, while Deckard followed close behind, gripping Vander's hair with a bruising strength. Your fingers itched. You had braided that hair many times, elaborate and funny designs as you grew up, but those hands were treating it cruelly, a monster freed of any kind of sentience. And it hurt. Watching them disappear into the fog, the Enforcer staggering down the street to the other side, it stung like an open wound. You bit your cheek, holding back the tears that threatened to slide down your skin, and felt the blood on your tongue like a foul aftertaste.
And then you heard it. The cry, choked and broken, that pierced your chest like a sharp knife. You stood up, waking the legs that had felt numb against the concrete edge of the rooftop, and moved on instinct, ignoring the insignificant discomfort of your ankle every time you leaned on it.
It was Vi. You slid across the roof, your feet seeking support on the nearest window ledge, hanging on to it to climb down to the next, and continued descending. You followed the heartbreaking sound of Vi's voice, drowning out her own sobs, and swallowed all the emotions you didn't want to feel, focused on finding your girlfriend. The polish of your nails peeled as you buried your fingers in joints between bricks, clinging to them to keep from falling to the ground, and you closed your eyes tightly before you took the last leap, placing most of your weight on your good foot as you landed on the ground.
You rose to your feet, a shiver running through your skin, as you heard the piercing cry of frustration, and turned to face it with a jolt. It had come from Benzo's shop. Had she been there all that time? You frowned, restless, and turned towards the massacre, clenching your jaw and staring straight ahead. You had to get Vi out of there. That was your priority. You couldn't afford to look at the ground, to collapse. Every breath you took, the air sounded slightly ragged, as if you were about to scream but held back, and you clenched your hands into fists as you dodged the bodies sprawled on the floor.
Your first step into Benzo's shop was hesitant, like an unconfident fawn's. You didn't want to think that it was the first time you would enter the place knowing that its owner would never come back to wait for you behind the counter, but the certainty came back to you again and again, as if brought by the tide. There was almost no light, the little oil lamps that were scattered around the shelves were off, as if they held a mourning you had not yet faced, and the darkness brought with it a feeling of coldness that dug into your bones.
‘Vi,’ you whispered, your choked voice faintly spilling across the room. ‘Vi!’ you repeated, louder.
You heard your name, low, dazed, almost vanishing into thin air, and tried to follow it. It was the storage room. She had been locked in the storeroom.
‘Wait!’ you said, rushing to the counter, ‘I'll get you out!’
You tried to piece together what had happened, your hand searching in the gloom for the spare key Benzo always kept in the wooden drawers. It was in Vi's nature to have tried to fix everything herself. It was inherent in her, to carry as much of the burden as possible so that her siblings —and even you, if you got into trouble— wouldn't have to suffer the consequences. You didn't know how she could have warned the Enforcers, but you knew they had come to Benzo's shop for her. You knew it as clearly as you knew you would have done the same for her if it had happened.
But if Vander had shown up, it was also because he had discovered her. And if he had been wearing the handcuffs, it had been him who had locked her in the storeroom. To stop her from doing another stupid thing. Maybe Vander wasn't her biological father, but a strained smile tugged at your lips at the thought that they were more alike than they allowed themselves to think they were.
When your fingertips brushed against the metal frame of the key, you grabbed onto it, running the few meters between the countertop and the door behind which Vi stood. Your hands trembled as you slid it into its lock, holding your breath as you tried a second time, and you turned it on its axis twice, as you had done so many times in the past, pulling the heavy door off its hinges so that you could wrap your arms around Vi's body.
She clung to you tightly, choking her sobs in the crook of your neck, and the silence grew heavy around you, empty of hope. You felt Vi's hands squeeze your shirt, squeezing your body against hers, her warm tears sliding down your skin. You looked up at the ceiling, letting out a shaky sigh between your lips, and ran your hand up her back until it was tangled in her hair. Her shoulders shook under your touch to the rhythm of her own sobs, and you stayed still beside her for as long as she needed, allowing her to collapse.
‘Did you see what happened?’ you finally murmured against her hair, as her breathing slowly regulated.
‘Not much,’ she replied, her voice broken by tears, pulling away from you to rub her hands across her face. ‘Did you?’
‘It was Benzo...’ you began, and you hated the way you faltered before continuing. ‘They killed Benzo. And the Enforcers, some of them...’
‘And Vander?’
‘He's alive,’ you said, sliding your hand down his arm. ‘They took him.’
And your breath hitched as you realised.
He was alive. They had taken him, but he was still alive. Your mind was scrambling, trying to plan an impulse that came to you like a tug at your heart, watching the tears glisten on Vi's freckled cheeks. You couldn't let her lose someone else. Piltover had taken enough from her. Vander was still alive, you told yourself. He was still breathing, his chest was rising and falling, even if he hadn't had the strength to rise and confront them. He was alive, and you still had a chance to fight for him.
Your face took on a more worried tinge, ‘We need to find out where they've taken him.’
Vi looked up at you, her unfocused eyes darting across your face, but she nodded.
‘I know where,’ muttered a voice behind you. You turned abruptly, brow furrowed in distrust, and felt the pain wither against your ribcage. Ekko.
Little Ekko, never as small as he looked at that moment, his shoulders slumped forward and his crystallised gaze fixed on you. You took a step forward, ready to take him in your arms, but it was he who crossed the distance between you, taking refuge in your embrace. The pained expression on his face melted into tears as you snaked your hands around his back, and your own lump in your throat threatened to unravel as you felt him cry against your chest.
‘They killed him,’ he murmured, over and over against your skin, choking back his own tears.
‘I know, kid,’ you replied, unable to understand what you were supposed to do at that moment. You felt the warmth of unshed drops in your own eyes, and fought against them, burying your face in his hair as you felt one slide down your cheek. ‘I'm sorry, I'm sorry.’
‘We'll get them, Ekko,’ Vi promised, resting one hand on your back, stroking you comfortingly, and another on the boy's shoulder.
He parted slowly, rubbing his hand over his cheeks as Vi had done a few minutes before, and looked at the two of you, trying to gather the energy to speak. You couldn't stop to think what it must have felt like, watching Benzo die like that and still finding the strength to follow the perpetrators, the murderers, just so you could have a glimmer of hope of getting Vander back. He had been very brave.
‘It should be quick,’ you said, cradling his face in your hand, the pain shining in your gaze. ‘An hour and a half, maybe, tops two hours.’ You slid your gaze slightly to Vi, who was watching you with her brows furrowed in a helpless gesture, and added, ‘If we're not back then, please, go to my Mom's, yeah?’
Your mother would know what to do. She always did. She would take care of Ekko.
‘But...,’ he stammered, and you decided to ignore the way his chin began to tremble again, new tears gathering in his almond-shaped dark eyes.
‘No buts, Ekko,’ you replied, interrupting him gently. You took a breath of air, tangling your fingers in his short pale hair, pulling him to your body, and held him tightly in your arms. ‘I need you to be safe, please,’ you implored.
‘I don't want to lose you,’ he murmured against the fabric of your shirt, and you felt every movement of his lips, your own face struggling not to cry. 
You looked up, blinking back tears, sighing the lump in your throat, ‘You won't,’ you told him, stroking his white curls, ‘you have my word. I'll come back in one piece.’
You forced yourself to pull away from him, your hands on his shoulders, and slid your thumb over his cheeks to wipe away the strands of tears that had leaked from his eyes, trying to muster the courage to flash a crooked smile. It wasn't easy, but you couldn't afford to look weak. Not in front of him, not when he needed you more than ever.
‘Besides,’ you whispered, unbuttoning your waistcoat, holding the pocket watch between your fingers, resting it against his chest in a graceful motion, ‘who's going to look after my watch while I'm gone?’
‘Are you going to let me keep it?’ he asked, cupping it in his two hands as if it were a treasure. He slid his fingertips over the silver curve of its circumference, over the twelve chipped numbers you had drawn above it - all Roman numerals - and looked up at you.
‘Forever,’ you promised, nodding solemnly.
He pounced on you, wrapping his arms around your waist, and you melted into his embrace with closed eyes, memorising every detail. Vi joined in a sigh, wrapping her strong arms around you, and for a moment you remained buried under your own skin, wishing that it was all a nightmare and that when you opened your eyes, the rapid breathing, tears and screams were just part of yet another of your childish games.
Reality was far crueler than a kid's imagination.
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You felt Vi's hand intertwined with yours like a shackle pulling you back to consciousness, the faint discomfort of your ankle keeping you sane as she led you to The Last Drop. You hadn't exchanged a word since you had left Ekko in the same room of broken glass you had fled from that morning, hidden in the rafters of the ceiling, and both of remained trapped in your minds, thoughts running at too much speed.
It was difficult to face such a situation. As inhabitants of Zaun, loss was part of your DNA. You came into the world crying for the loss of your future, a future that had been taken from you at the founding of the city, and you mourned the violence that you would inevitably encounter, ever-present in the streets of the underground. Vi had endured the death of her biological parents, as had Powder and the rest of the Vander children, and you had been born without knowing who your father was, growing up surrounded by brutality.
You didn't know what your girlfriend was thinking, but you tried to remember if you'd ever spent enough time in the docks to have been able to investigate the large building that loomed over the water, as if it were floating. Ekko had claimed to see the man of mist and Deckard disappear within its tall brick walls, but had refused to come any closer. You had left a soft kiss on his forehead as a farewell, and in a glance you and Vi had known what to do.
Vander had trained you for such a moment. He had spent years teaching you how to defend yourselves, practising boxing with you, training you to take care of your own. You had always assumed it would be complicated, any fight was. But as much as Vander had been a proponent of using violence, in his past, you had also learned peace. It was clear that Silco would not accept a dialogue, a bargain of any kind. He had negotiated with that Enforcer for Vander. Vander had been his target.
The importance of acting was to do it right. And if you sneaked in and out, as you'd done so many times before to get some food, you'd all sleep on the top floor of The Last Drop that night, listening to Vander's snoring, the sheets moving every time Powder rolled over in her bed, and Vi's body warm against yours.
The bar was dead silent when you slipped in through the back door, and you assumed Vander would have closed up before he went to find Vi. You waited a few moments for her as she went inside to fetch the gauntlets Vander always kept hanging over the counter, and slipped down the stairs to the small room in the basement of the building when she returned with a shake of her head. Someone had taken them.
‘Vi?’ uttered Claggor, turning to you as she opened the door. He added your name, avoiding the hint of a question. You tried to force a smile as you realised that they had always assumed that if one of you was there, the other would appear shortly after.
Vi came down the stairs two at a time, ignoring the two boys, and slid her eyes around the room, searching for the gauntlets, ‘Where are the...?’
You sat on one of the steps, listening to the soft thump of Powder's body as she pounced on her older sister, and pulled your trousers up to your knee, untying your laces at full speed. Whenever Vi was set on something, she acted on instinct and with great speed. You didn't know if she would look for something more —except perhaps other weapons— but you delegated finding them to her. You had little time to slow down the way your ankle was going to worsen its condition irremediably in the remainder of the night.
Nor did you have much more strength than she did to explain what had happened.
You pulled off the bandages you carried in your pocket, resting them on the old wood of the stairs, as you heard Vi's quickened breathing echo through the room, pulling your injured foot up a step to remove your boot. You looked up when you heard Mylo protest, ‘Hey, those are Vander's,’ he said, grabbing Vi by the wrist. ‘Slow down. What is going on?’
‘Benzo's dead,’ she muttered, and you closed your eyes for a moment, before continuing to untie the tight knot in your shoes. 
‘Dead?’ Claggor repeated, and you wondered if you were better off waiting outside. You removed your sock, shook your head, took a breath of air, and picked up the bandages, placing your foot on the knee of your other leg.
‘They took Vander.’
‘Who took Vander?’ added Claggor, as you began to wrap the bandage around your ankle, taut, inflexible on your skin, tense enough so that when you came back your joints wouldn't resent it. You did it angrily, trying to bury all the emotions you had managed to control so far.
‘I don't know,’ you heard Vi reply, and her voice sounded slightly closer as she turned to include you in the conversation, ’we're gonna help him.’
‘We're going with you,’ Mylo replied, almost as if he was hurt that it hadn't occurred to you earlier.
You put your sock back on when the bandages felt like a second skin over your foot, and tied your boots tightly. A bloody sprain wasn't going to stop you from rescuing Vander. It wasn't going to stop you from bringing him back, safely, home. You weren't going to let it. You looked up, sighing, and tried to intervene.
‘Whatever killed Benzo...’ you said, and your breath caught in your throat.
‘It was nothing like I've ever seen,’ Vi continued, and her voice trembled as much as yours. ‘It tore him apart.’
You saw the way her shoulders tensed before even the first sob slipped from her mouth, but you didn't have a chance to approach her before her brothers, who embraced her warmly, all united by stubbornness and impotence. Vi put her hands to her face, covering the obstinate tears she did not want to let fall down her cheeks, and you knew she had come to the same conclusion as you. They were both going to want to go with you, and you were going to need their help, no matter how much Vi wanted to keep them safe.
‘You're not doing this alone,’ Claggor stated, determined.
‘He's our father too,’ Mylo added, his hand tracing circles on Vi's back. ’Do we know where they took him?’
‘Ekko followed them,’ you interjected, clearing your throat as Vi stowed what her brothers had left on the table in one of the backpacks you always left lying around. ‘The old cannery next to the docks. He said...’
You looked up from the backpack, calming yourself once you realised it had been the boys who had taken the gauntlets, but the muscles in your back tensed again as you noticed Powder standing in front of you, a look of determination on her face, and a suitcase in her hands. Of course she wanted to go with you too.
Vi turned to you as she heard you hesitate, and exhaled an exhausted sigh at the sight of her sister.
‘I need you to sit this one out, Powder,’ she asked, approaching her.
‘What?’ her eyebrows furrowed in confusion, and your heart crumpled in your chest. Ekko had been easier to convince because he had seen what had happened. He was shocked, willing to wait for you to return. But Powder had always followed his sister's example, longing for a chance to show her worth and to stop being treated like a child.
‘You're not coming,’ and Powder's expression was worse than if she'd received a slap in the face.
‘I'm not afraid,’ she replied, desperate within the quietness of her response.
You couldn't intervene on this occasion. Nor were Mylo and Claggor going to. It went beyond their sense of responsibility, this was a blood sister fight to see which of the two would get their way. And the older one always had the upper hand.
‘It's too dangerous,’ Vi added, and you didn't have to see the gleam in her eye to know that she needed Powder to listen to her, to understand why she was asking so much of her.
‘But families stick together,’ Powder continued, accentuating his frown, ’you said it yourself.’
‘I know what I said...’
‘I want to fight,’ she announced, and the freckles creased on her cheeks as she looked up, raging, at Vi. ‘I can help.’
‘You're not ready,’ Vi replied, and her sharp tone cut over Powder's determination, shattering what hope remained. You saw how Vi held her breath for a moment, regretting her choice of words, and tried to correct them in a whisper. ‘You're all I have left,’ she said, resting the palm of her hand against Powder's cheek. ‘I can't lose you.’
‘Here,’ you uttered, in a soft, conciliatory tone, approaching them with one of the flares you had in a box under the stairs. It was a blue smoke one, a symbol you had talked about more than once with Powder, making jokes about the colour of her hair.
Vi took it gently from your hands, handing it to her little sister, ‘If they come for you, take this and run,’ she whispered, her gaze locked on Powder's pale pink eyes. ‘Wherever you are, light it up and I'll find you.’
Eyes shining, you almost couldn't hear the last words, a gentle ‘I promise’ murmured against Powder's face as she leaned down to rest her forehead against her sister's, memorising the warmth of her body before parting. You turned, beckoning Mylo and Claggor up the stairs, and you followed, leaving the sisters a few more seconds together.
The mood seemed somewhat subdued, Mylo's mouth closed in an altogether uncharacteristic muteness, and you peeled back your lips to make some comment to cheer them. The words died in your throat when you reached the landing, suddenly surrounded by Claggor's arms, and you held your breath in surprise.
‘I'm sorry,’ he said, and Mylo repeated it, both of them hugging you.
You closed your eyes, allowing yourself a moment of weakness, and let out a choked sob against Claggor's shoulder, still feeling the lump in your throat.
‘It's not your fault,’ you murmured back, ’it's not.’
‘It's not yours either,’ Vi uttered, and you turned your face towards her, who had just appeared through the door.
You tried to curl your lips into a grateful smile, your eyelids quivering to keep from shedding a tear, ‘I know.’
But it wasn't true, because you could never find out what would have happened if you had come down from that rooftop before Silco appeared, if you had warned the Enforcers of Deckard's presence. It was already in the past, you had lost your opportunity. Maybe, if you had confronted them while Vander and Benzo were still conscious, everything would be fine. Maybe your presence would had led them to fight back. And that was something Vi didn't know either.
You trailed behind, but kept pace as Vi led you through the crooked streets of Zaun, turning corners and ignoring drunken men, towards the city borders. The docks were not a highly desirable place, though one to which Madam sent many prostitutes on the days of disembarkation. Most traders transacted goods with the topside, and its bright and shiny harbours, but those who dealt in coal and alcohol had to make a stop at the Lanes, and the black market in its streets.
That building, however, looked even darker in the moonlight, the mist rising from the water creating a cloak of eerie mystery around it. You walked around its perimeter in a couple of minutes, trying to figure out which entrance was the most secluded but best accessible, and it was your keen eye that located an open window on the first floor. You climbed onto Claggor's shoulders, a rope at your shoulder, and clung tightly to one of the pipes, checking with a smirk that it would be able to support your weight.
Of the four of you, you were the best at climbing. You were elusive, small and slender for your age, even more so than the children of Zaun, no doubt a consequence of the fact that on many days your mother had been unable to offer you food to put in your mouth. The need to hide had made you learn to duck between the rooftops of the city, and though Vi was better at leaping from building to building, you were certainly the sneakiest of the bunch.
You even seemed to glide along the facades, you'd been told, clawing at bricks and picking out which spots on the wall were best to rest your limbs on, as you were doing at the moment. You panted as you managed to get your arm over the window sill, sliding your leg over so that you could slide into the building, and held your breath as you glanced down the dark corridor. No one seemed to be there. You grabbed the coiled rope you had slung over your shoulder and began to drag it down the window, waiting for Vi's two tugs before you crouched on the floor and braced your feet against the wall.
You held on, with the rope wrapped around your waist and tugging at it while the others climbed, and left it hidden under the window once everyone had climbed up. In case any guards found it, they wouldn't know where to start looking, and you doubted you would need it to escape. Vander was too heavy and too weakened to get out the way you had come in.
You scanned the corridors of the warehouse, rusty platforms stacked in a narrow space, and hurried to take up position behind Claggor, the four of you forming a line with Vi in front and Mylo last, slouching forward under the riveted iron pipe railings. Vi signalled to you when she realised that there was a poorly lit room on the upper floor, and you all hurried up the stairs, still crouching. 
When you reached the other side of the corridor, Vi leaned forward, peering quickly, and turned to you with a triumphant smile, voicelessly pronouncing that Vander was there. You rested a hand on Claggor's shoulder as you felt Mylo's on your waist, and you advanced at a rapid pace until you reached the room, where Vander sat, defeated, in a big iron chair, all his limbs imprisoned by metal straps, fastened by padlocks.
You saw him spit blood, his broad chest straining to breathe out a hoarse cough, and he whispered a soft ‘Vi,’ his unfocused eyes closing as he felt his eldest daughter's arms slipping around his shoulders in a hug. His tone became more urgent as he realised you were really there, ‘What are you doing here?’
‘We're breaking you out,’ Vi explained, as you picked up the backpack she had left on the ground.
You opened it, kneeling on the ground, and pulled out the lock-picking device you had built for Mylo. It didn't always work, but it was the best you had. ‘Mylo,’ you called, and tossed the gadget to him.
‘On it!’
You turned towards the door, rising to your feet to check that no one was coming in, your fingers tingling to check the time on a watch you no longer had, but you froze when you heard Vander's husky voice.
‘How... how did you get in?’ he said, stuttering hurriedly over the words that were building up in his mouth. ‘There's guards everywhere.’
Oh God. Of course it had been a trap. 
‘It was easy,’ you heard Vi reply, her tone losing its strength as the realisation dawned on her. ‘We found an open window and...’
You rushed over to the backpack, hastily pulling out the weapons that Claggor and Mylo had gathered, as you saw Claggor's figure hurrying to grab his favourite dagger, trying to release one of Vander's wrists from its prison. The man made eye contact with you, Vi stepping behind you to watch the door, and you held back a sob as you heard Vander again, ‘You have to get out. Now.’
No. You weren't going to leave him again. You weren't going to fail at the same task twice. There had to be time, you could do it. Silco's men probably hadn't even realised you were in yet, you had a chance, you could....
But you heard a clap reverberate through the warehouse, soft and dangerous, and your breath caught in your throat.
Silco.
‘Welcome,’ he murmured, his voice flowing like a river down its course, the sound of his rhythmic clapping coming hopelessly closer to you, ‘you have my congratulations,’ you tried to ignore it, to keep the memory of his tone from bringing back the vision of Benzo's body falling to the ground, but it came to you with the force of a storm, leaving you breathless, ‘but i'm afraid this will be a very short reunion.’
You refused to turn toward him, your hands instinctively gripping Vander's gauntlets, and Vi positioned herself at your side, shooting a defiant glare at the man of mist as she held out her arms for you to place Vander's weapons on her.
‘Have you heard the rumours?’ he added, and you could hear the amusement in his voice, ‘Vander the coward fled town with his children. And they were never seen again.’
You finished knotting the second gauntlet to your girlfriend's wrist, the straps stiff but comfortable on her pale skin, and exchanged a glance with her. You were going to make it. You rested your hand on her shoulder, squeezing lightly, and she gave you a fragile but sincere smile, real, just for you. Vi was the best at boxing. You took a quick glance back, your gaze hardening as you saw that Silco was surrounded by his followers, a bunch of buff men and women, all of them ready to fight. You sighed, determined. If there was anyone who could take on a man two heads taller, and visibly stronger, it was her.
You moved your hand up to the nape of her neck, stroking the lower part of her hair, and closed your eyes as you rested your forehead on his. It was a good-luck caress, a wish to go home, a temporary goodbye. She took a breath of air, parting from you reluctantly, as she always did, and positioned herself at your back. You saw the way Claggor's dagger broke from too much pressure, and heard Vi's first step toward the door.
‘Claggor, see if you can find another way out of here,’ you ordered him, rotating your shoulders. You saw him nod, watching out of the corner of your eye as Mylo wrestled with the device in the lock on Vander's right leg. Claggor nodded. Vander looked at you, concerned.
‘You don't have to do this,’ he said, but you knew he was talking to Vi.
‘Yes I do,’ she replied, determined, resolved.
Your priority was to get Vander out of there, to get everyone home safely. You ignored Vander's strangled gasp as Vi's quickened footsteps echoed over the metal lattice floor of the corridor, and you brought your hands to your head, grabbing the two long metal bobby pins you wore in your hair, both sharp and U-shaped. You crouched down next to Vander's other leg, and picked up the padlock. Inventions were your thing, you had to figure out how to open it.
You looked over your shoulder when you heard a thud behind you, momentarily startled, but smiled as you saw Vi, exultant in the middle of the bridge, and in the floor the body of the giant tattooed man you had seen when you turned around. That was your girl. You inserted one of the hairpins into the lock hole, noticing how Vander relaxed minimally against the seat as he saw that his daughter was perfectly capable, and then turned the other, recreating the teeth of a key. You imagined the mechanism under the padlock's metal cover, turning its gears to loosen.
Everything was going to be all right.
‘Mylo,’ you heard Vander, and saw out of the corner of your eye that Mylo had slipped the device to the floor. ‘You can do this.’
You looked over at Claggor, your fingers struggling against the lock, and saw that he had found a crack in the wall. There were enough tools in the backpack for him to open a hole. Perfect. You took a breath of air, forcing your wrist to turn the downward facing bobby pin all the way around, and the locking bow opened with a soft snap. You removed the hairpins, withdrawing the lock, and Vander rested his leg on the ground.
‘We're gonna get you out,’ you murmured, crouching down next to Mylo. ‘Hey, Myls,’ you said, laying your hands on top of his, helping him move them nimbly, ‘big breath.’
You felt him inhaling briefly, closing his eyes to feel the gears of the device against his palm, and you exchanged a glance as the smooth sound was repeated, releasing Vander's other leg.
‘We got this,’ he whispered, more encouraged.
‘Of course we do,’ you replied, placing a hand on Vander's knee to pull yourself to your feet.
Vi's soft panting continued to echo off the walls of the warehouse, to the rhythm of the punches of her gauntlet-covered fists as they impacted against the bodies of Silco's minions, and you looked back once more. Vi was rising against a bare-chested man, her shoulders tense, turned so that she could deliver another blow.
You focused on the lock on Vander's wrist as Mylo did the same on the other side of the chair, holding your hairpins tightly, moving your hands as fast as you could. You listened to your heart pounding in your ears, for a moment drowning out all sound from outside, like every time you secluded yourself in your studio, until you heard the first howl.
It reverberated in your mind, emptying it of all thought, like a shadow stretching over you. Deckard. You turned, eyes widening in horror, the mass of flesh that was the boy who had once abused you looming over Vi, and for a moment your heart stopped in your chest. In the darkness, you were only able to make out the fluorescent violet color of his veins, Vi's light pink hair, facing each other. You had seen what Deckard was capable of. You weren't going to let Vi end up like Benzo and those Enforcers.
‘Mylo, hurry,’ Vander pleaded, as you twisted the hairpins urgently, releasing the lock as soon as it gave way.
You turned toward the backpack, watching in horror as Vi leapt toward Deckard, and grabbed the first thing you saw. A piece of pipe, thin and hard against your hand, long enough that you could strike without getting too close. It wasn't a sword, but it would have to do. You looked up, checking that Claggor had already begun removing bricks from the wall, and advanced toward the deck, ignoring the way Deckard had grabbed Vi by the neck.
‘Silco, let her go!’ shouted Vander, slamming his free hand on the armrest of his chair. ‘This is between you and me!’
‘You had your chance,’ Silco replied, not even flinching.
Vi coughed, a choked, desperate sound, followed by a scraped gasp in her throat, seeking oxygen, and you slid onto the metal walkway. Deckard was barely aware that you had moved behind him, too focused on snatching every last breath of air from your girlfriend's lungs, and he dropped her against the ground as you jumped, unloading the pipe against his skull with all the force you had.
Deckard grumbled, an anguished scream spilling from his mouth, and you let go of the pipe, running to Vi. You slung one of her arms over your shoulders, one of yours around her waist, and carried her back to the room where Vander was, panting, the pain in your ankle beginning to awaken. You gritted your teeth, leaving Vi on the floor, leaning against the wall, and charged over to the sliding iron door, doing your best to close it. When you felt the door slam as it hit the wall, blocking Deckard's access, you pushed past the latch, collapsing against the floor, your shoulder pressed up to the door, just in case.
“You did good,” Vander whispered, looking at you, at Vi, his gaze clouded with admiration.
You merely nodded, exhausted, as Claggor continued to throw bricks, opening a large hole in the wall. You felt light, despite your tiredness, and leaned your head against the door. Mylo was struggling with the last lock, but you knew he was going to make it. You allowed yourself to close your eyes for a heartbeat, sighing, a moment of quiet before the first bang came. It echoed through the room, metallic and dry, and you felt it coursing through your body. Deckard was trying to reach you all.
You watched as Vi sat up, the one fist that still retained a gauntlet resting on the ground to stand, and tried to crawl to sit beside you, her chest rising and falling at full speed. There was only waiting, you knew. A slow, agonizing wait, until the boys were done with their part of the mission. You felt Vi lean her head on your shoulder, your bodies moving in time to Deckard's pounding, straining against the door to try and hold on as long as it took, and you clenched your jaw.
You were going to make it. A knock, a furtive glance at Mylo, and you heard the soft sound of the lock being released. You were going to make it. One punch, your shoulders tensed, and Vander was finally free. You. Were. Going. To. Make. It. One punch. A gentle squeeze on Vi's free hand. And Claggor finished tore a hole in the wall. You stood up, advancing forward, and then, just silence.
Suddenly, an explosion. You stopped, alert, your eyes wide, and turned to Vi. She had the same terrified expression on her face, one hand resting on the door to pull herself to her feet. You listened carefully over your ragged breathing, your ankle throbbing, your throat dry. Another explosion, closer this time. You turned to Vander, frowning, looking at him as if he could have some kind of answer. He extended his hand toward you, gesturing for Vi to hurry towards them.
A third explosion, and the world around you ceased to exist.
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The crackling of the fire, soft and malleable in your ears, was what greeted you when you woke up. Your mouth felt dry, ragged, as if you had swallowed dust, but you opened it anyway, taking in a big breath of air. The oxygen burned your tongue, your eyes still closed, and you tried to move your hands, but you were unable to. You were caught.
The weight of certainty hovered over your ribcage, imprisoning it against the ground, and you moved your head on the cement beneath you, the ground warm against your forehead. You breathed in a second time, your respiration becoming more erratic, and then it hit you. Ashes. There were ashes everywhere, flames eating up the space in the room as if to make you disappear.
You opened your eyes, hearing a faint cough somewhere, and tried to focus your gaze on some point, but you saw only shadows and fire, dancing over you, coming closer, taunting you, and then going away again. You turned your head, looking for some familiar figure, Vander's comforting gaze in the darkness, Vi's soothing touch on your skin, but you were alone. You clenched your jaw, trying to fight against the stone that held you prisoner on the ground, but you found it impossible.
And then, a cry. In a déjà vu, you stirred again under your stone prison, turning toward the desperate sound of Vi's voice. You couldn't see her, but you knew she was there. Your chest was beginning to ache under the weight of the stone, each time managing to breathe less and less air, but you gritted your teeth, struggling, and managed to get a hand out. You mumbled your girlfriend's name, calling her name amidst the chaos, and sobbed when you got no response.
It seemed like the end. You felt dirty, drenched in sweat, stiff under the night of Zaun, and you were unable to perceive your legs, dumb under the stone. They were bricks, probably. Or the roof, perhaps. Snippets of the explosion came back to your memory, the dull sound against your ears, the brutality of the shockwave, and you looked straight ahead again. Vi was there, somewhere, and you had to get to her.
You fought against the cement block above you, trying to move it with your hips, with your arms, doing everything you could to get out of there, until you heard your name. In a wail, low and desperate, to your right. You turned, ignoring the laceration from the edge of the stone on your torso, and saw her. Her clear, frightened gaze, calling for you, the desperate gesture of her body. She was trapped under the metal door.
A growl, a large, dark silhouette in the smoke, and pounding. But you ignored them. You tried to turn a little more, struggling to reach Vi, your fingernails clawing at the ground and the ashes under your hand, dragging you towards her. Then the floor began to shake under your fingers, the ringing in your ears intensifying. The door imprisoning Vi flew off, and she crawled over to you, her hand outstretched in search of yours.
You stretched out your arm to reach for her, flinching as you heard a pained shout from Vander, extending your fingers, reaching out as far as you could for her, but before you could finally touch her fingers, a monstrous figure loomed over both of you, snarling, and grabbed Vi's body, leaping out of the building.
Your hand fell to the ground, defeated, and the walls that were left standing shook with the force of another explosion. You closed your eyes, stubborn, and shook yourself. You had to get to Vi. You had to find her, and Vander, and together you would search for Mylo and Claggor. You would return home. Nothing would have been in vain.
The flames crackled louder around you, almost warning you that getting up was a bad idea, but you ignored them. You weren't going to listen to them. You rested one hand on the ground, the other pulling the stone above you. You weren't strong enough to be able to lift it, but maybe you could wriggle out from under it. You were good at crawling, you could do it. You heard a cry of pain, distant but sharp against your chest, wholly yours. Your shoulder began to burn.
The first drop landed on your cheek. For a moment you thought it was blood, thick and dark against your skin, but then another fell on your chest, light and cool, and a next, and a next. Rain. It was raining. Water, cold and clear, that made the fire sizzle around you. You breathed a sigh of relief as you rested your shoulder on the ground, the dust and rain soothing the burns that threatened to sear your flesh, and leaned forward again. One arm in front of the other, ignoring the pain, pulling yourself back up as you fell to the ground, slowly and achingly moving forward.
Your legs wobbled as you tried to stand up. The bandages on your ankle were soaked in blood, which slid down from your thigh, staining everything in its path. Your torso was bruised, throbbing against your hand, and your ears were ringing. You leaned against the stone that had been above you, towering over it, and blinked, sliding your gaze around the room.
And then you saw them, Mylo and Claggor. Buried under the pieces of ceiling that had collapsed on top of you, motionless, drained of blood. Your breath caught in your throat, and you took a step toward them, a sob piercing your throat. There was nothing to be done, you knew. Still you knelt beside them, stroking Claggor's face, running your mangled fingers through Mylo's hair. You couldn't leave them. They were your family, you had to take care of them.
Powder's desperate scream echoed across the starry sky of Zaun, and your heart pulled forward in your ribs, your head turning toward the giant gap in the wall. Powder. She was supposed to be safe, in The Last Drop. She wasn't supposed to see any of this. She was supposed to wait for you to come back, in a couple of hours, and hold each other, perhaps commenting on it all as a successful anecdote. Mourning Benzo, honoring his memory.
Powder wasn't supposed to be there.
You rose to your feet once more, brow furrowed in concentration, gritting your teeth as you braced your injured leg on the floor, crawling, leaning against the walls to get out of there. You walked the metal corridors of the deserted building, of the cemetery of concrete and fire, descending the stairs one at a time, holding back the screams of pain that threatened to spill out of your mouth. You had to get to her, protect her, look for Vi, find Vander. Together you'd be okay. You always had been. You could make it through, with Ekko, with your mother's help. You would make it. You could fix it.
The night air greeted you like a slap in the face, the empty street echoing your footsteps. No one was there. You had heard Powder, you were sure. But she wasn't there. In a haze of light and shadow, you saw a body on the ground. Everything was gone, but there was another corpse right in front of you. You approached slowly, limping, gasping for breath, until you were able to recognize his face.
It was not Deckard, as you had wished. It was Vander's bruised and deformed face, turned into a monstrous beast, the violet blood spilled under his body. You put a hand to your mouth, falling to your knees beside him, collapsing. And the lump in your throat finally burst, a scream leaving your mouth, resting your forehead on his chest. It wasn't fair. It wasn't fair. It wasn't fair.
You looked up, the loneliness caressing an uneasy shiver across your skin, and stared before you, seeing nothing.
Sometimes your last breath doesn't belong to you. It is stolen, ripped away by others with firm and merciless hands. One second, one heartbeat, one desperate look. One second, one heartbeat, and life leaves your eyes. Other times you hold your breath, the emptiness opening in your chest, deepening as you try to contain it. You tell yourself it's the end, that you need it to be. But it isn't. You end up breathing. You let the oxygen invade you again, even though it feels like a weight on your chest. You keep breathing, even though you wish you weren't.
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⠀⠀𝗍𝖺𝗀𝗅𝗂𝗌𝗍.⠀( send an ask or comment under the series to be part of it , just if you're going to interact with it ━reblogging with feedback. )⠀@im-just-a-simp-le-whore , @celestialzdiviner , @corpsebridenightamare , @louissst28 , @astr1dblogs , @notsolarry , @starlostastronaut , @yoonkinii , @padsfirewhisky , @luvrluvrr , @ssqra , @darkmoonchic , @urlocalsabito , @spicetouched , @astrxwitch , @deadlynightshadebylana , @bachirastoe , @pickmmeup , @your-scarlett-world
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maxdibert · 2 days ago
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So we’re just going to ignore the emotional abuse Sirius faced at home and reduce him to a privileged ‘rebel without a cause’ acting out solely because of his family’s values? Go off, I guess?
Well, I always say it’s not the same to cry in a Ferrari as it is to cry when you can’t make ends meet, but I’ll choose not to be cynical this time and respond in good faith.
When exactly is Sirius supposed to have been abused? There’s no canonical evidence to suggest he suffered abuse as a child, and his bad relationship with his parents began only after he was sorted into Gryffindor. If we add to that the fact that he spent most of the year away from home and was one of the kings of the school while he was there, what exactly is his tragedy? That his mother was a piece of work? When he talks about his parents in OotP, he implies that his relationship with his father wasn’t particularly bad, as Orion didn’t play a significant role in the family dynamics—Walburga was the one in charge. There’s no indication that he suffered any kind of physical abuse or was deprived of anything beyond scolding and protests from his mother. In fact, they never kicked him out of the house—he chose to leave.
And he left because he had options. He had just inherited a massive fortune from his uncle Alphard and could go live with the Potters, who were loaded. And he did this at 16 years old. So, again, what’s his big tragedy? A bad relationship with his mum for four years? Four years during which he spent around 9–10 months out of 12 away from home in an environment where he was king of the world?
Sirius had Hogwarts as his refuge; he could escape his bad family dynamic. The school wasn’t just his safe space—it was his playground. On top of that, he had friends, was popular, and nobody dared to lay a finger on him. And when he chose to leave home—because he could, because he had money and a wealthy friend’s house to crash at—he went to a place where no one was going to harm him or do anything to him.
Comparing his situation to Severus’s, who was physically and emotionally abused from childhood, whose household was so destitute he didn’t even have proper clothes to wear as a kid, and who didn’t find refuge at Hogwarts but instead found a hell that was just as bad, if not worse—thanks, in large part, to Sirius—is just a complete detachment from reality.
Sirius had a safe space and an escape at Hogwarts. Severus didn’t. Sirius had friends, popularity, and wealth to fall back on. Severus had nothing. Severus couldn’t leave his abusive home because he had no financial means to support himself and no friend with millionaire parents willing to take him in.
Sirius’s issues and personal struggles don’t even amount to a fraction of what Severus endured. And this wouldn’t even be a point of contention if it weren’t for the fact that Sirius actively went out of his way to make Severus’s life miserable. That safe space Sirius had at Hogwarts? That could have been Severus’s safe space too. But it wasn’t. And it wasn’t because of Sirius.
So I’m very sorry the rich boy social justice warrior wannabe had a bad relationship with his momma, but, Kim, there are people dying out there.
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storiesbyjes2g · 2 days ago
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aDOLTing Generation 3 Recap
Hello, gentle readers!
An extra special reader of mine has been absent for a while and is back. Welcome!! I've missed you! I know how much you love this story, but I also know how daunting it will be to go back and read everything. I can't have you lost, so I hope this recap helps! I have no idea where you left off, so I'll do a quick run down of the whole gen for the benefit of all my new recent followers. Welcome, y'all!!
Let's go!
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This is Luca! His traits are self-assured, outgoing, and active, and his aspiration is self-care specialist. He's a yoga instructor.
He has a younger sister named Alessia. She is very much the annoying little sister, but he loves her very much.
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The only one of her traits I remember is paranoid, and I don't really know what her aspiration is. This story is based on the ISBI challenge, and I'm only allowed to control one sim per generation. The story is told from that sim's perspective. I'm sure you can imagine the shenanigans that can happen with autonomous sims!
These are their parents Alessandro (Ali) and Emerald (Emmy). They divorced right before Luca's child birthday.
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The divorce rattles Luca a great deal because he idolized his parents and struggled with learning they weren't the man and woman he thought they were, and if they can find themselves in compromising positions, what hope is there for him? (His mom cheated for literally no reason because she's selfish and immature.) It made him reluctant to date and trust his feelings. The problem with that was he had very attractive female friends, and most of them wanted him.
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This is Sophia. They met in Mt. Komorebi on his YA birthday trip and kept in touch via Social Bunny. He's in love with her but is afraid to admit it for fear of making a mistake and ending up like his parents. But deep down he knows she's the one, and if they ever hang out IRL he'd never leave her side, so he keeps their friendship confined to Social Bunny until he figures himself out.
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This is Maira. They went to school together and ran into each other at a bar one night. She holds a special place in Luca's heart and is one of his best friends. They each considered becoming more for like two seconds, but it never felt right to escalate matters, and they are fine with a platonic friendship. She, like him, had her own demons and was anti-relationships for a very long time.
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This is Yasmine. They smashed. She was the most persistent of all the friends and helped him understand woohoo could be casual without strings. Even though he was very gun-shy about women and relationships, the dude was horny all the time and she was very happy to help him with that lol.
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This is Xochitl (Chi Chi). They're neighbors, and he thought she was the most gorgeous woman. She has a daughter, and they both talk a LOT. She tried to get him to go out several times, but he always felt guilty because Sophia was always in the back of his mind while meeting all these women. Chi Chi is social and always looking for a good time and quickly figured out he was never going to ask her out. She really just wanted to be friends anyway, so it was all good. They are still great friends today.
As you'd expect, Luca gets to a place where he can separate his parents' drama from his own life and can no longer deny, no matter how many women he meets, and no matter who he smashes, his mind had only ever been on Sophia, and she had his heart from the beginning. He finally asks her out on a proper date, and the night ends nowhere near how he expected.
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She asked him to move in! That scared the cowplant essence out of him and caused all that fear and confusion he finally put away to come rushing back. But Sophia is gentle and has a knack for asking poignant questions in a soft manner. She asked if he trusted her and their relationship. He could either answer honestly, man up, and get over it, or lie and go back to being a scared little boy. Thankfully, he answered honestly and started working toward putting those fears to bed for good.
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Sophia has known him his entire young adult life and knew all about that stuff and was patient with him as their relationship blossomed. She met the parents and even ghost grandma. Everyone loved Sophia. Luca eventually got to a place where he could tell her he loved her without throwing up, heh. That was one magical night.
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Everything happened so fast, and he was too busy finally enjoying life and kinda forgot to tell everyone else his relationship status had changed.
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Luca and Sophia went out one night, and Yasmine was there. Luckily there no drama ensued, but he had some explaining to do. Luca told Sophia about all his friends and their statuses and got everything on the table. Sophia has history of her own and was a bit triggered by the situation. She knew Luca hadn't cheated on her because they weren't together, but she didn't know he was talking to other women. She accepts that his friends are women but doesn't really like it. It will take her a while to get over it.
With all of that out of the way, the only thing left to do is...
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But before that, he meets a young man from Brindleton Bay named Wade (Dub) Banks. He's from The Banks Dynasty by @mysimsloveaffair. You should check it out if you're not already reading.
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He's in town with his lady friend visiting her father. He saw Luca and asked for suggestions on what to do in San Sequoia. They are kindred spirits and become instant friends. He is currently Luca's bestest friend in the world.
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Anyway, Luca and Sophia get married, honeymoon in Tartosa, and eventually buy a house in San Sequoia. Instead of living the blissful wedded life, they begin a painful journey.
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Their plan was to start a family immediately, but Sophia had a hard time getting pregnant. They tried fertility treatments, but they don't work. She's staring her adult birthday in the face and is afraid she'll never birth her own children. To make matters worse, so many around them are getting pregnant unexpectedly. Dub and his now girlfriend had a reckless night in the hot tub and had a baby girl. Yasmine turns up pregnant with twin girls. Even his sister, Alessia, who he thought would never settle down now has a live-in boyfriend and got pregnant. The cherry on top was learning Luca also had low fertility and they were definitely not having children the traditional way. That was a very dark period that threatened to break them down, but they stayed strong. Eventually they decide to do IVF and announced the pregnancy at Sophia's birthday party. A daughter, Desiree, was born on the eve of Luca's birthday.
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Alessia gave birth to triplets (2 boys and a girl) about 12 hours before. Having Desiree brought joy into Luca and Sophia's life, but the painful journey did not end there. His father died shortly after her birth, and his mother died a few days later. As a card-carrying mama's boy, that one hit HARD. He was prepared for Ali dying, but Emmy's death came unexpectedly.
Luca and Alessia struggled through raising their children while grieving their parents. He was especially worried about his sister because she never once desired to have children or lead a domestic life, and now she's raising THREE children on her own. Her boyfriend left during the baby shower and went back to his ex because he was spooked about having triplets. So with Emmy dead, and the boyfriend gone, she's all alone in that big house. Luca gets an idea from Dub and decides to look for a duplex so he and Alessia can stay close and raise their children together and support each other.
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Meanwhile, little by little, they pick up the pieces of their lives and adjust to the new normal. Dub and Maia elope and invite Luca and fam to the wedding in El Ciudad Enamorada. They volunteer to babysit while Luca and Sophia go on a much needed date. Their lives had been so heavy and hectic ever since getting married, they hadn't been on a proper date since they found out Sophia was expecting. Having a night to themselves and spending time together as a family for the next day and a half put things in perspective. Luca was in the throws of a midlife crisis and was losing confidence about his purpose in the world. He has loved yoga ever since his mother introduced it to him as a teen, but teaching yoga and opening his own studio was her idea, not his. Without goals of his own, he happily pursued that dream and even tried to adopt it as his own, but it never felt completely right. Dub gave them a money tree for a wedding gift, and it was so timely because Luca was able to be with Sophia the entire time they struggled through infertility. Lately he'd been thinking about getting back to work but wasn't sure if teaching yoga was the right thing. That messed him up for a few days, but he eventually decided his career doesn't define him. He's still a good husband and father even if he doesn't have a job and contribute in society. He will focus on raising Desiree well and shaping her to be the best she can be. That will be his contribution.
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Luca finally decides to rent out his father's house to a family with infant twins. He also finds the perfect duplex for him and Less. He lives on one side and she rents out the other. The kids age up, and that is where we are now!
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There's lots of subplots I skipped over like the drama with Emmy and her boyfriend Dwayne and shocking developments about Yasmine's children, but this is the basic gist of generation 3. If anyone has any questions, feel free to ask!
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shallowseeker · 1 month ago
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I find Dean mostly endearing during the run of the show, but sometimes I am put off by how you and other Dean fans will twist yourself in knots trying to take up for him when often, it'd just be simpler and more honest to admit when he's wrong about something.
You must be new here.
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deoidesign · 5 months ago
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I have a question, but it may be already have been answered in the story (my brain is just not the best with memory).
Since vampirism symbolises for you chronical illness (which, omg, that is a hot take I've never thought off before and love from now on), does Steve count as chronical ill, too, with the whole halfvampire thing going on? So, would his uncontrollable time jumping each month be a symptom of that chronical illness?
not in the story, no worries! Just a possible interpretation and my personal intent when writing.
As a small aside I personally don't like to think of chronic illness as something that people "count" as, so to speak, it's an extremely personal label and incredibly varied between individuals and as with all disability there is never such thing as hard lines or black and white... but I understand why you worded it that way and I understand what you're asking.
So, yes, Steve is also chronically ill within this framework. The entire comic is sort of shaped around this, to be honest! I mean he canonically has some pretty extreme memory issues... He's also canonically homeless (not that this is an illness but I just mean it's something I think most people forget about him when discussing him). And, yes, his condition is uncontrollable and is severely impacting his ability to live the life he wants to live.
He has just been barely coping up to the point we meet him, and has been very desperate which is what led him to creating that list of deviations. He has periods where his body is out of his control, he is unable to form relationships, he hurts others without meaning or wanting to... Yeah. He's metaphorically relating to a lot of things, really.
So, yknow, you're welcome to interpret him as you'd like! for me I relate a lot with my various issues and conditions and thus that's why I've projected on him the way I have, but of course I would understand entirely different interpretations of what is inherently metaphorical.
#I also have an extremely personal relationship with addiction#and also with anger management issues#among other things#uhm#and so reading this I think it is possible for someone to read that into it as well#however personally I dont really like vampires as a metaphor for addiction... for many reasons but#I think it's also just a bit messier than I would like things to be#and isnt how I really would personally choose to portray an addict at all.#though I do think of addiction as an illness as well so. as I was writing this I was sort of seeing glimpses of that as well#so. idk!#interpret how you like.#I mean as long as the interpretation isnt erasing his very real struggle#he is straight up homeless because of an uncontrollable condition that he has#so like. it's serious#I recognize that the way I write sort of puts a happy go lucky veneer over things#and I'm aware that it sort of hinders the severity of the situation somewhat inherently#to where people have been SHOCKED I look at steve as chronically ill when he... the entire comic is based around it...#my personal theory for this is that I uhm. me and my worlds are very accomodating and so the struggles are more internal#rather than necessarily external#besides of course the like cops being after him#but like because it's less societal and more internal I think many people don't recognize it#and because people are gentle and understanding I think they recognize it less...#I dont know how to explain this properly you will have to forgive me.#but it's something I wonder on often. why don't people recognize his extreme pain and his terrible situation for what it is..?#is it cause he has a rich boyfriend now and money is solving the situation or...#anyways.#anon#asks#if its simply because of how I write I think I need to work on that.#but if its because of people not recognizing illnesses in people who 'seem fine/happy' then I'm glad to make people second guess things
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desertsportshipping · 4 months ago
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Leon didn't used to cook. He was a chronic workaholic relying on take out and leftovers of take out.
Wes didn't used to cook either, relying on rations and questionably made pub food. Until he started literally living in the Wild Area, when he learned from the wild Pokemon the best places to forage food from. Now that he had a lot more free time on his hands, he decided that he might as well experiment with cooking.
One thing Leon learned the hard way: Wes has no taste buds. At all. Wes once started eating an onion like an apple. His favorite type of berry was Pinap because "it was spicy" (he was allergic), and there were multiple times where Wes has eaten mold and tree bark on accident.
Clearly, this cannot continue. Now Leon has more free time on his hand (due to his boyfriend telling Rose to fuck off) and has decided to put that time into learning to cook delicious food. His friends are at least glad that he has found a hobby, even if it was connected to his relationship. Sonia was his usual taste tester, sometimes with Hop and Gloria helping, and it took several months for Leon to get a handful of recipes he thinks Wes will like.
It's all worth it when he gets to see Wes's smile.
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phantajam · 4 months ago
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my hot take about descendants is that NONE of the core four were ready for a relationship until maybe like, the third movie (rant in tags)
#they were still adjusting to living life without struggling to survive#a girl should not be jumping into a relationship the same week she just tried her first piece of non-rotten food lol#thats not to say I don't like the canon ships#but mal married literally the FIRST man she met in auradon. at 18.#and even as far as in descendants 2 we see them still struggling to adjust in different ways (mainly mal)#in d3 they seem to have fully assimilated into life in Auradon (as much as a VK can anyway)#so it makes sense for them to THEN seek out relationships if that's what they want.#but disney ofc wanted to act like romantic love just automatically fixes a person's problems ig?? as if a relationship wouldn't just be#added stress given the position the VKs were in in d1#not to mention dating just like. wasnt a thing on the isle (mal even says this)#and I get that the kids are craving to be loved because their parents didn't gaf about them. But I wish the first movie focused more on the#finding that love in each other than romantically with outside people. a sort of “they had love in them all along” moment.#and then this fandom loves to argue about whether Jarlos/Janelos was 'rushed'. at least Carlos (and Jay +lonnie) waited a few months before#throwing themselves into the dating scene. Poor evie had her heart broken within like 3 days of being in Auradon. no wonder she was willing#to help steal the wand lol.#Anyway to wrap up this rant I didn't even mean to go on#I just think that kids who have spent the first 14-16 years of their lives fighting to survive and being put through continuous trauma on a#daily basis don't need dating right away. they need THERAPY.#if anyone here has seen stranger things its kinda an El and Mike situation were its like. the girl grew up in a lab and fell for the first#boy in regular society who was kinda nice to her lol. thats how I view Mal and Ben#same with doug and evie. he was nicer than chad but he still fell for her for her looks and she still fell for him because he was the first#guy in auradon to be genuinely interested in her. also evie had a whole “I dont need a prince” arc and ended up with a man anyway?#my problem with janelos was always that Carlos never quite worked out his mommy issues or his anxiety. I feel like he'd be afraid of hurtin#her even though that boy wouldn't hurt a fly. and we see Jane get pretty stressed out herself- have you ever been in a relationship where#both of you have anxiety? cause it either goes really well (you help keep each other calm) or REALLY terribly (you make each other spiral)#I actually really liked Lonnie and Jay (though I feel like it would've had a bigger payoff if she was in d3. not sure why she wasn't but I#wont dunk on that because it couldve been smth to do with her actress). I think Lonnie is someone who can 'handle' Jay well and match his#energy. And I like the idea of Jay finding someone he's loyal to after being commitment-phobic for 1 1/2 movies and the whole first book lo#and ofc I have to throw this in here: any auradon kid the VKs get with is never going to grasp even half of what they went through.#this doesnt mean they can't try to understand and be empathetic. but it will always cast a shadow on VK/AK relationships.
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badnew2005 · 1 year ago
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i know i have been inactive but i fear yous do Not talk about dennis literally killing himself near enough
#dennis takes a mental health day THEY COULD NEVER MAKE ME HATE YOU BABYYYYY#literally written For Me . said this when the episode titles came out. they saw i got kicked out of uni for being too mentally ill and said#it’s okay dennis struggles with his mental health too :) i feel insane but They Know Me . confirming no bitch maureen is Dead . the doors..#all the macdenbreakup refernces ……. she’s so gorgeous ….. AND THENNNNN#THE FIC OF ALL TIME . the only only only one EVERRRR . my dearly beloved doc there’s a hole where something was by bidennisreynolds a#dennis reynolds character study to the tune of folie a deux by fall out boy. DELETED SCRAPED FROM THE INTERNET. the fic that apparently O#ONLY I READ. that when u look for it you just find ME looking for it too ……. we can do dennis reynolds introspectives too :)#we know u lov tends bar and see her for who she is not Just cause i know you man (but ofc understanding you CANT do dennis reynolds#character study without having heavy macdennis )#tends bar splitting into dens friends and family …… having mac see through all his walls ….#THE NORTH DAKOTA OF IT ALLLLLLLLLLL#we can’t have a real genuine actual conversation dennis feelings you SAWWWW what happened last time the man has only JUST emotionally#returned from north dakota !!!! he’s Working on being stationary !!!!! THIS IS HIM WORKING ON IT !#the way we saw dens relationship towards the gang his opinions on how they would help/understand him …….#HIS RELATUONSHIP WITH HIMSELF !!!!! literally created this other version of him to blame all the horrible things he hates about himself on#AND THEN KILLED THE BITCH !!!!#it’s so good so so so so so gooooood
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tenrose · 4 months ago
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Not my cat flirting with every pet sitters I get him during my vacations lmao
#misc#this year it's a man#i was lowkey worried cause my cat don't know many men#(idk if they even can tell the difference tbh lmfao)#but this hoe of a cat smelled him and immediately targeted his legs#sometimes i wonder if he wouldn't cheat on me with another human if he had a chance dusjsjjejz#anyway the guy is a young man and as someone who struggled when i was younger#i feel like doing a good action paying someone to do a cool job#(i mean cleaning the litter is not exactly a fun job but getting paid to pet a cat is)#also i met him through my physio who knows everyone#because last year i chose a pet sitter through a pet sitting website#but it was hella expensive#and it's basically a scam cause i paid something like 150€ but only 50€ was for the pet sitter the other was for that shit website#fuck start-ups#anyway i decided to do it the old fashioned way#through social relationships#but i struggled cause i have not social relationships???#except for coworkers#but I don't want coworkers to go to my home#that's an absolute no#it'd be a violation plus i am ashamed of my home and shit#so i prefer someone I don't know at all#so if i get judged it has no consequences#(yes i have trust issues)#so i had to actually gather my courage and ask my physio if she knew someone because she works with lot of young adults and teens#and turns out the mom of the man was here and she said she'll ask him#can't go wrong with someone vetted by hus own mother lol#anyway he said cats are his favourite pets so we're good#Loki definitely sensed that he can plays him like fiddle
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player1064 · 7 months ago
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loooooving the beville/carraville fic rn but also interested in becks pov bcos im assuming he may/may not have cheated while in madrid and whether he is also falling out of love at a similar time as gary or if gary’s thing w jamie is gna be like a sucker punch to him arghcjsk
ohohohoooooo well. I'm not gonna give spoilers but there IS more becks pov planned I just tend towards writing gary pov bc well hes my special guy....
the way I'm structuring the fic means that some scenes I've written don't make the final cut bc they don't fit anywhere into the sort of non-linear structure and a few of those scenes were gonna be like. becks having Issues with the relationship 😭 (though some may still make it in.... we'll see...)
crucially though I think that gary and becks are a little bit out of sync on Everything so make of that what you will.... we have a couple of chapters left centred around their playing days and then the focus is shifting to retirement......
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waywardsalt · 9 months ago
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ive spent like 20 minutes trying to world this eloquently but i give up; im a big fan of linebeck just. not being capable of watching over kids not the person to be the guardian of a group of young people he struggles to take care of himself at times and has so much shit going on that it takes about one conversation with oshus for the old man to realize that this guy is. not doing great
#this was gonna be like. a jokey post at first juxtaposing oshus’ expectations vs reality with linebeck but im too emotionally drained#so real linebeck talk in the tags bc idk if ive actually talked much abt like. the specific as on why. iwrite and see him the way i do#likr. off the bat i put him at like 19 in ph and im too fucking tired and just. done rn to justify that like whatever kill me if you wish.#like. hes. been throught a lit hes been abused neglected used ignored hurt ridiculed violated deceived hes so fucking tired#hes worn down over the course of ph it causes him to finally like. express his anguish over what hes been theough its cathartic#hes getting pushed but talking to oshus and being around link loosens him up and he fucking. cries properly yknow#he cries about everything and the last bit of ph hes kind of an emotional wreck but hes finally letting himself feel all that shit#he cries he struggles to articulate himself he has a violent public meltdown as he becomes fed up with his reputation#and it all culminates in bellumbeck just. being a really raw examination of what hes been through and how he feels and what to do now#he hates people he has people he wants to kill people he wanted to kill but after bellumbeck its just. hes tired. hes processed everythjng#and then he needs the post ph crew and everyone they meet along the way to just. be a fucking support system for the first time ever#like post ph hes rhe captain he runs the ship he keeps everyone in line he can do that. but hes softer more vulnerable more self doubting#hes kinder and more hesitant but trying new things and being more openly passionate abt his interests#and he keeps working through his trauma he finds out what else it causes problems for and everyone. supports him#hes not capable of like. being any kind of parental figure to link in ph his perspective on like. how to handle kids is fucked#because his perspective on what a normal childhood should look like is kind of a mess#his perspective on relationships is murky on love on adventure on self expression but post ph hes just. free. tired but free#he manages to take naps the group helps him eat properly he learns his physical boundaries and actually does what he loves#idk. im just. man idk. its still measy but like. my version of linebeck is. i really hate the idea that its so out of character its not him#like. idfk what to even say abt that. idfk what ‘in character’ looks like when you hc a character to be masking in canon#when you hc them to be lying and covering things up and just. subdued bc theyre working on stuff#that they lie and exaggerate their own traits on purpose but let the truth through some cracks like what rhe fuck then#i hate it bc i dont see anyone else think of linebeck anything like this so im scared im fucking wrong somehow#im tired. i recently learned that one of my cats has been burrowing under and chilling under a blanket we cover a couch with#its very cute
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